The Falling

In the late summer of 1969, a secluded girls’ school tucked among the rolling hills of rural Britain becomes a place where the ordinary and the uncanny coexist. The school’s stone corridors and dimly lit classrooms are wrapped in a lingering mist, while an ancient oak and a hidden pond lend the grounds an almost mythic quality. Beneath the veneer of routine lessons and strict house rules, an unsettling atmosphere begins to settle, hinting at forces that ripple through both the student body and the families that send them there.

Lydia Lamont, a thoughtful and inquisitive sixteen‑year‑old, finds her world increasingly unsteady when her close friend Abby Mortimer starts to pull away. Their bond, once sealed by a shared carving on the oak, now feels fragile against the backdrop of whispered rumors and a strange wave of fainting and twitching that seems to spread through the school like a quiet contagion. Lydia’s curiosity drives her to question the adults around her—her distant mother, the imposing deputy head, and the enigmatic headmistress—while also seeking solace in the loyal, if unconventional, company of her brother, a young man fascinated by the occult.

The other students orbit around this central tension: a determined prefect who idolises Abby, a skeptical friend who appears untouched by the epidemic, and a compassionate art teacher whose well‑meaning efforts become tangled in the growing unease. Together they create a tapestry of teenage ambition, fear, and yearning, each character reflecting a different response to the mounting mystery that hangs over the school grounds.

All of this unfolds in a tone that blends austere period detail with a haunting, lyrical mood. The film invites viewers to linger on the subtle shifts in light and sound, on the quiet moments of friendship and the unspoken anxieties of a generation on the brink of change, all while a deeper, unseen current pulls the characters toward answers they are not yet ready to hear.

Last Updated: August 10, 2025 at 04:25