Year: 1964
Runtime: 102 mins
Language: English
Director: Franklin J. Schaffner
Amid a chaotic party convention, five candidates compete for the presidential nomination. With no clear majority after the first ballot, the leading contenders must weigh how far they’re willing to go to secure the nomination and ultimately the White House, exposing their ambitions and alliances.
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In May 1964, former Secretary of State William Russell [Henry Fonda] and Senator Joe Cantwell [Cliff Robertson] emerge as the two leading contenders for the presidential nomination of their unnamed party. Russell is portrayed as a principled intellectual, but his personal life casts a shadow: his past indiscretions and a strained marriage to Alice Russell [Margaret Leighton] complicate his image, and a prior nervous breakdown lingers over his public bearing. Cantwell presents himself as a ruthless, populist anti-communist who promises to close the missile gap and win the presidency by any means necessary. He thrives on aggression and bold tactics, and his willingness to go to great lengths to secure the nomination makes him a formidable rival. Neither man trusts the other, and both question the other’s fitness to lead the country.
At the nominating convention in Los Angeles, the aging but pragmatic former President Art Hockstader [Lee Tracy] holds the deciding influence. He would rather see Russell succeed, yet he is wary of Russell’s indecision and strict-principled stance; Cantwell’s hard-edged toughness and readiness to do whatever it takes begin to appeal to him. The pivotal turn comes when Cantwell privately attacks Russell using illegally obtained psychological reports, a tactic arranged by Don Cantwell [Gore Vidal], his brother and campaign manager. Hockstader withholds endorsement from both men, choosing not to commit to either side. He also distributes a tantalizing offer: the vice-presidential slot to the three minor candidates still in play—Senator Oscar Anderson [Richard Arlen], Governor John Merwin [William R. Ebersol], and Governor T. T. Claypoole [John Henry Faulk].
Behind the scenes, Sheldon Bascomb [Shelley Berman], a wartime acquaintance of Cantwell, becomes a pawn in a smear campaign. Cantwell’s rivals push Bascomb to testify about Cantwell’s past, and when Bascomb is confronted by Cantwell, the confrontation escalates into a back-and-forth that places Russell’s team under pressure to retaliate with smear tactics. Russell resists, and Cantwell recognizes that Russell does not have the stomach for such dirty tricks. As the balloting progresses, neither candidate secures a majority, though Cantwell maintains a slender lead.
The endgame arrives when Russell’s circle suggests leveraging the allegations, yet Russell refuses to cross that line. In a dramatic sequence, Cantwell offers Russell the second spot on his ticket, only for Russell to turn the offer down. Instead, he endorses Merwin by releasing his delegates and urging them to consolidate behind Merwin, who ultimately clinches the nomination.
the missile gap
This portrait of ambition, principle, temptation, and power unfolds with a clinical, observational tone, highlighting how personal flaws, strategic partnerships, and hardball politics collide at a moment when the country’s leadership is being decided.
Last Updated: October 09, 2025 at 09:20
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Stories of power struggles and moral compromises within tense political systems.If you liked the tense convention politics and moral quandaries in The Best Man, explore more movies like it. This list features similar political dramas and riveting stories about power struggles, backroom deals, and the personal costs of ambition in high-stakes settings.
The narrative follows a procedural, often step-by-step unfolding of a political contest or institutional crisis. Tension builds not from action, but from strategic revelations, ethical dilemmas, and the suspense of who will outmaneuver whom. Character arcs typically involve a confrontation between idealism and the pragmatic, often corrupting, demands of power.
Movies are grouped here by their shared focus on the 'how' of power—the processes, negotiations, and betrayals. They create a specific kind of intellectual and ethical tension, appealing to viewers who enjoy observing complex strategies and the moral decay that can accompany the pursuit of influence.
Characters preserve their integrity but sacrifice their ambitions, leading to a pragmatic resolution.Find films with endings similar to The Best Man, where characters choose integrity over ambition. If you liked the bittersweet conclusion, these movies explore similar themes of moral compromise and pyrrhic victories, featuring stories where doing the right thing leads to a satisfying yet poignant resolution.
The central conflict forces the main character to choose between achieving a deeply desired goal through unethical means or maintaining their principles at the expense of success. The narrative arc culminates in this choice, resulting in an ending that feels simultaneously righteous and disappointing—a personal win but a pragmatic, sometimes unsatisfying, real-world result.
These films are connected by a specific emotional and thematic payoff. They explore the complex price of integrity and deliver an ending that is emotionally resonant precisely because it is not a simple, happy conclusion. They appeal to viewers who appreciate nuanced resolutions that reflect real-world compromises.
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Discover movies like The Best Man that share similar genres, themes, and storytelling elements. Whether you’re drawn to the atmosphere, character arcs, or plot structure, these curated recommendations will help you explore more films you’ll love.
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