The Banishing

In the mist‑shrouded English countryside of the mid‑1930s, a looming manor becomes the backdrop for a family’s fresh start. The house, with its stone‑capped towers and echoing corridors, carries the weight of generations long past, whispering of hidden histories that have never quite been laid to rest. The atmosphere is thick with a quiet dread, where the rustle of curtains and the sigh of old timber suggest that the walls themselves are listening.

Reverend Linus arrives with his wife Marianne and her enigmatic daughter Adelaide, each seeking solace and purpose within the isolated estate. Linus, a man of deep conviction, finds his faith subtly tested as strange sensations begin to ripple through everyday life. Marianne, protective and wary, strives to shield her child while grappling with the unsettling feeling that something in the house does not belong to the present. Adelaide, innocent yet oddly perceptive, seems drawn to the house’s unseen corners, hinting at a bond with forces beyond ordinary comprehension.

When the ordinary unravels into the uncanny, Linus turns to an unexpected ally: Harry Reed, a scholar of occult lore whose presence adds a cool, analytical edge to the growing mystery. Together they sense that the manor’s grandeur masks a darker, more malevolent undercurrent. The narrative unfolds with a slow‑burning tension, blending period‑specific elegance with a creeping, gothic horror that keeps the characters—and the audience—questioning what lies just beyond the veil of ordinary sight.

Last Updated: August 10, 2025 at 00:50