Session 9

In the quiet outskirts of a forgotten town, an abandoned state mental hospital looms, its cracked stone walls and faded corridors whispering of a troubled past. After fifteen years of silence, a hazmat crew is hired to strip the building of its lingering asbestos, turning a place of institutional decay into a precarious worksite. The sheer scale of the structure, with its endless hallways and echoing rooms, creates a backdrop where the thin line between the physical and the psychological begins to blur, setting a tone of oppressive unease that permeates every step.

Gordon Fleming leads the operation, a practical man whose focus on the job is constantly tugged by the weight of his personal life. He brings his longtime associate Phil along, a partner whose dry humor and impatience provide a counterpoint to Gordon’s more measured demeanor. Together they must navigate not only the hazards of the derelict building but also the subtle pressures that begin to surface as the days stretch on.

The crew expands with Hank, a seasoned worker whose quiet confidence masks deeper doubts, Jeff, a nephew eager to prove himself and escape the shadow of his famous uncle, and Mike, a former law student drawn to the hospital’s hidden histories. While inspecting the attic, Mike uncovers old audio recordings of a former patient known only as #444, Mary Hobbes, whose fragmented personalities hint at lingering echoes of the institution’s dark legacy. These snippets become a quiet undercurrent, suggesting that the walls may hold more than dust.

Throughout the film, the stark, decaying architecture becomes a character in its own right, amplifying each worker’s anxieties and amplifying the sense of isolation. The atmosphere balances methodical tension with moments of strained camaraderie, inviting viewers to wonder how much of the danger is external and how much is born from the mind’s own shadows.

Last Updated: August 10, 2025 at 11:40