Parasite

In a sharply divided Seoul, the cramped, dimly lit world of a semi‑basement apartment sits in stark contrast to the sleek, sun‑drenched halls of a modern mansion. The city itself feels like a character, its bustling streets and quiet alleys echoing the invisible line that separates the haves from the have‑nots. Director Bong Joon‑ho balances a biting social satire with a touch of dark humor, letting the environment breathe life into the story’s underlying tension.

The story follows a resourceful but financially strained family. Kim Ki‑taek leads the household, a former driver now finding odd jobs wherever possible. His wife, Chung‑sook, his teenage son Ki‑woo, and his clever daughter Ki‑jeong each carry their own mix of desperation and ingenuity, turning everyday chores into miniature schemes. Across town, the affluent Park Dong‑ik family lives in comfortable oblivion; Mrs. Park runs a perfectly ordered home, while their children Da‑hye and Da‑song enjoy the privileges that come with wealth. The Parks are well‑meaning but naively insulated from the harsher realities outside their gates.

When an opportunity arises, the Kims begin a calculated infiltration of the Park residence. Through a series of deft introductions and modest deceptions, they gradually weave themselves into the household’s daily rhythm, taking on roles that bring them closer to the coveted comfort they’ve only ever observed from a distance. The film’s tone oscillates between sly comedy and quiet dread, as each small victory feels both triumphant and precarious, hinting at the fragile balance the families maintain.

Bong’s direction layers visual elegance with underlying unease, inviting viewers to linger on the gleam of polished surfaces while feeling the weight of hidden desperation. As the two families orbit each other, the audience is drawn into a world where ambition, class, and morality intersect, promising a narrative that is as thought‑provoking as it is entertaining—without revealing the twists that lie ahead.

Last Updated: August 10, 2025 at 01:37