Triloquist

In the neon‑sickened streets of 1993 Hollywood, a once‑celebrated ventriloquist’s tragic end leaves her legacy in the hands of an unsettling wooden figure. The city’s glittering façade masks a world where fame quickly rusts into neglect, and the shadows that linger behind the stage lights become homes for the forgotten. Within this bleak backdrop, an orphaned family navigates a precarious existence, their lives tangled with the lingering echo of a performance that never truly ended.

Angelina and her mute brother Norbert arrive in a foster setting that feels more like a holding cell than a sanctuary. While the siblings cling to one another for survival, the presence of their mother’s dummy—an articulate, uncanny marionette—adds a layer of disquiet that blurs the line between comfort and menace. The trio’s uneasy bond becomes a study in dependency, each character reflecting the other’s fractures and the desperate yearning for agency in a world that has already spoken over them.

The film’s tone drifts between gritty realism and nightmarish surrealism, channeling the oppressive atmosphere of a city that devours its own legends. Through muted dialogue, lingering camera work, and a soundscape that mixes the clatter of Hollywood’s underbelly with the soft, eerie chatter of the dummy, the story invites viewers into a claustrophobic dance of loyalty, trauma, and the haunting question of whether the dead can ever truly be silenced. The stage is set, the characters are poised, and the audience is left to wonder how far the shadows of a forgotten art can stretch into the lives it once illuminated.

Last Updated: October 11, 2025 at 19:42