Lamb

In the ending of “Lamb,” Maria stands on the mountain, having experienced the devastating loss of both her husband and her adoptive daughter, Ada. Her look into the horizon reflects her deep despair and sense of emptiness, as she is unable to find any solace or hope after all she’s lost. The film symbolically suggests that her actions—killing Ada’s biological mother to protect her from separation—were driven by her grief and desire to hold onto her new “daughter,” even at the cost of morality. By taking the biological mother’s life, she tried to keep her happiness within her control, but this act of selfishness ultimately leads to tragedy.

The mythological references—such as the hybrid creature and the comparison to myth figures like Ganesha and the Minotaur—add layers of meaning. They emphasize the idea of beings born from divine or unnatural circumstances, embodying both innocence and violence, creation and destruction. The creature’s true nature is revealed as a product of unnatural union, hinting at themes of guilt, loss, and the consequences of tampering with natural order.

In the final moments, as Maria searches for her family, she encounters the dead body of Ingvar and is faced with the reality that her attempt to control the situation has only brought more devastation. The return of Ada’s biological father from the mountains signifies that nature and fate have reclaimed what was taken, punishing Maria for her selfish act. The film’s ending serves as a poignant reminder that interfering with nature for personal gain can lead to irreversible loss, and that true closure can only come from accepting life’s inherent imperfect and tragic nature. The story ultimately underscores the idea that trying to rewrite or escape grief through unnatural means results in suffering that cannot be undone.**

Last Updated: June 25, 2025 at 08:59