Die

Six strangers wake up in uneasy cells within a surreal facility. They have no memory of how they arrived or why they are there, and the atmosphere hints at something deliberate and dangerous. Confusion and fear set the tone for what feels like a twisted trap.

The film introduces each captive to the audience, hinting at troubled pasts and the reasons they might have sought self-destruction. The introductions build a sense of personal baggage that the game will exploit. Viewers are invited to compare the six lives quickly presented to them.

The captives realize they are confined in glass prison cubes as a man appears to inform them that they must play a life-or-death game. The setup is clinical and cold, emphasizing control and spectators. The rules of the game are about to unfold before their eyes.

It is revealed that each captive has, at some point, attempted suicide, tying their fates to the game. They are told they will be paired in teams and that one person will roll a die to determine how many bullets the other must face. The premise weaponizes their own histories against them.

Pairs are formed, and the dice become the controlling mechanic of life and death. The roll determines the number of bullets in a revolver that will be directed at a partner. The tension rises as the players anticipate the impossible choice.

In one brutal moment, a roll dictates how many bullets must be loaded, forcing a partner to squeeze the trigger. The outcome is fatal or near-fatal, and the survivors are left stunned and uneasy. The game proves to be more unpredictable than they anticipated.

As rounds progress, several captives are killed while others survive. The deaths demonstrate the ruthlessness of the game and the cruel calculus behind the captor's design. The survivors struggle to understand whether there is any mercy left in the challenge.

Interwoven flashbacks reveal a bit more about the captives' troubled pasts, though the summary notes the backstories are not particularly compelling. These moments heighten the emotional stakes and provide motive for their attempts at self-destruction. The game weaponizes these memories as the captor manipulates them.

The scenes with the villain and the captors are described as the strongest part of the film. The antagonist exerts control through dialogue and intimidation, turning the game into a psychological battleground. The captor's presence dominates the tense atmosphere.

Two FBI agents begin tracking the kidnapped and missing people, trying to connect the dots. Their investigation runs in parallel to the brutal game and offers a rational counterpoint to the claustrophobic horror. Clues start to hint at how the six were chosen and captured.

The agents work to connect disparate clues, uncovering patterns that tie the missing to the surreal facility and the game's orchestrator. The pursuit of truth adds a broader menace beyond the immediate danger in the chamber. The body count and clues begin forming a larger narrative thread.

The summary notes that the film's core idea is a PG-13 take on a Saw-like game, with dialogue-driven tension and predictable twists. The capsule of who survives is a commentary on self-destruction and coercive moral tests. The captors' game mechanism remains the central engine of the film's drama.