Year: 1962
Runtime: 83 mins
Language: English
Director: Denis Sanders
Sent to the Korean War front lines, an idealistic American soldier quickly confronts the brutal reality of battle. As he witnesses death and cruelty, he finds himself at odds with a psychopathic member of his own platoon, whose murderous behavior blurs the line between wartime violence and cold‑blooded killing.
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Near the end of the Korean War, a replacement, Pvt. Roy Loomis Robert Redford, is assigned to an infantry company on the front line. One night, Loomis notices a soldier leaving camp in dark clothing and face paint. He learns that this is Pvt. Raymond Endore John Saxon, who routinely infiltrates enemy lines. The company’s commander, Captain Wallace Pratt Charles Aidman, allows Endore to act independently because, after many of these nighttime excursions, he has returned with useful information. However, Endore is also knifing to death enemy soldiers and, as Loomis himself witnesses during a night patrol, conducts an odd circle-ritual around each of his murdered victims. The other men in the company steer clear of Endore and warn Loomis, who is prone to asking probing questions, not to “mess with that guy”.
“mess with that guy”
Endore’s only friend is a Korean orphan, nicknamed Charlie Tommy Matsuda, with whom Loomis tries to cultivate a friendship. He suggests to Endore that the boy should be placed in an orphanage where he will at least have other children around and some kind of basic lifestyle. This brings Loomis into conflict with a demonstrably psychotic Endore, who plans to remain in Korea after the war ends, and to keep Charlie with him.
The tension comes to a head when the armistice occurs. Endore, in direct defiance of company orders, once more dons dark clothing and takes Charlie to cross enemy lines. Loomis, alarmed that this could impact the armistice, approaches his company sergeant Van Horn Sydney Pollack about Endore. The two soldiers are forced to bring Endore’s actions to Pratt’s attention. Pratt, realizing he has let Endore have too free a hand, asks the men for volunteers to bring Endore back, but only Loomis and Van Horn agree to join him.
The group finally locates Endore, who has taken Charlie behind enemy lines and resists Pratt’s orders to return. Endore grabs a knife and attempts to attack Pratt after beating up Van Horn. Despite Loomis’ pleas, Pratt shoots the deranged Endore and Charlie flees in the ensuing confusion. The resolution suggests that Charlie, having been influenced and given lessons in killing by Endore, will grow into the same kind of man.
Last Updated: October 09, 2025 at 11:16
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War stories where the real battle is against the enemy within.If you liked the intense psychological tension and moral conflict in War Hunt, you'll find similar movies here. These war stories focus on the enemy within the ranks, exploring insanity and moral decay in high-stress military settings, offering a different kind of battlefield dread.
Stories in this thread follow a protagonist who enters a warzone only to discover that the most immediate threat comes from a psychologically unstable comrade. The narrative is a steady, tense build towards a confrontation that questions the very nature of wartime violence versus pure evil.
Movies are grouped here for their shared focus on the psychological horrors of war over physical combat. They create an oppressive, anxious mood by pitting soldiers against a dangerous element within their own unit, leading to heavy moral dilemmas and bleak resolutions about the cost of conflict.
Stories where a steady pace builds unbearable tension and bleak realizations.For viewers who appreciated the steady, methodical build of tension and moral unease in War Hunt. These movies share a similar pacing, where the story unfolds without rush, allowing psychological dread and ethical conflicts to simmer until they reach a devastating conclusion.
The narrative pattern involves a straightforward progression where the protagonist's ideals are systematically challenged by a grim reality. The pacing is steady, avoiding major action set pieces in favor of building claustrophobic tension around a central moral conflict, culminating in a resolution that offers no easy answers.
These films are grouped by their shared STEADY pacing and TENSE tone, which combine to create a specific viewing experience of sustained dread. They prioritize psychological unease and moral questioning over plot twists or action, resulting in a heavy, often bleak emotional weight.
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