Vengeance Is Mine

In the dimly lit streets of post‑war Japan, a calculating thief and murderer known only as Iwao Enokizu slips through the cracks of a society still stitching itself together. Driven by an unsettling appetite for violence and destruction, he moves with a quiet defiance that hints at something far more primal than the law can grasp. The city itself becomes a character—a gritty, crowded maze where modern institutions clash with lingering shadows of a turbulent past, and every corner teems with the promise of both danger and anonymity.

Enokizu’s charm is a finely polished veneer, a deceptive mask that masks a deeper depravity. He navigates the legal system’s relentless pursuit with a blend of wit and cold calculation, turning everyday encounters into subtle games of control. While his background is marked by a rebellious youth and a fractured family history, the film never dwells on explicit events; instead, it lets the audience feel the lingering echo of a childhood scarred by wartime loss and religious strictness. This lineage fuels his restless yearning to test the limits of societal order.

Among the lives he touch is Haru, a woman whose own survival hinges on a precarious balance between respectability and the hidden undercurrents of the night. Their connection, tangled in mutual deception and fragile trust, offers a glimpse of humanity’s capacity to find intimacy even amid chaos. Enokizu’s estranged wife, Kazuko, lingers on the periphery, embodying the tangled web of loyalty, faith, and suspicion that surrounds him, and reminding the viewer that personal ties can both bind and betray.

Shohei Imamura’s direction immerses the viewer in an unflinching portrait of darkness and desire. The tone is austere yet magnetic, a stark observation of how primal urges wrestle with the veneer of modernity. Through its relentless atmosphere and nuanced character studies, the film invites contemplation of the thin line between civilization and the raw instinct that lies just beneath the surface.

Last Updated: December 04, 2025 at 17:53