Madhavankutty [Mammootty] is a committed journalist who dedicates his work to exposing corruption within the government. He operates in a world where power and money often tilt the scales away from ordinary citizens, and his resolve puts him in direct conflict with those who would rather keep the system intact. He comes from a family grounded in ordinary life—his father Keshavan Nair and his mother Kunjulaksmi provide a quiet backdrop to the turbulent events around him.
Across the city, a complicated triangle unfolds among family and ambition. Unnikrishnan [Rahman] is a hot-headed college student whose acts of vandalism and aggression strain relationships, especially with his elder sister Radha Menon [Seema], an IAS officer who tries to keep a lid on chaos. The siblings’ younger sister, Vasanthi, watches the tensions within her family and the larger society, a tension that will pull her toward a dangerous path.
Into this volatile mix steps Vasu [Mohanlal], nicknamed “Parol Vasu,” a formidable goon who works for the corrupt businessman Manikyam. Vasu’s loyal aide Hamsa stands by him, and together they embody a ruthless approach to the city’s power players. The family dynamics become even more entangled when Vasanthi confesses she would like to marry Madhavankutty, but he is drawn to Radha, complicating loyalties and affections.
A brutal night accelerates violence: Vasu and his gang launch an attack on Madhavankutty’s home, and Radha responds with a firm demand for accountability. The confrontation culminates in an uneasy truce as Unnikrishnan and Radha navigate the consequences of the clash. Meanwhile, the siblings’ bond remains strained, and Vasanthi’s feelings begin to tilt toward Vasu, eventually leading her to align with him and even marry him.
Behind Vasu’s hard exterior lies a troubled past that explains much of his behavior. He reveals to Vasanthi a childhood shaped by hardship: his mother was confined to a mental asylum, his father spent years in a central jail and remains bedridden, and his own upbringing in an orphanage helped forge the path that turned him into a feared operative. This backstory adds a layer of complexity to his alliance with Madhavankutty, who sees in Vasu not just menace but a potential partner in reforming the system.
Despite his suspicions, Madhavankutty offers Vasu a chance to work alongside him, envisioning a new kind of partnership that could leverage Vasu’s influence for a greater good. Vasu initially hesitates, bitterness clouding his judgment, but he eventually accepts the opportunity and becomes Madhavankutty’s right-hand man, signaling a fragile alliance built on mutual need and uneasy trust.
Tension erupts again when Hamsa is killed by Inspector Francis, a blow that threatens to plunge the city into an even deeper cycle of vengeance. Vasu moves to retaliate, intent on meting out his own punishment, but Madhavankutty intervenes, insisting that the law should take its course and that vigilante violence would betray their shared ideals.
In the film’s stark and unsettled climax, the two central figures—Madhavankutty and Vasu—are gunned down by unknown shooters. The shooting shatters the fragile networks of loyalty and leaves Unnikrishnan, Radha, and Vasanthi to grapple with a future defined by loss and unanswered questions. The story closes with a newspaper report that frames the deaths as part of an ongoing investigation, underscoring the unresolved nature of justice in a city where power often blurs the line between right and wrong.
