Three Times

Three Times

Year: 2006

Runtime: 120 min

Language: Chinese

Director: Hsiao-hsien Hou

DramaRomance

Three interconnected stories explore themes of love and longing across different periods. In 1966, a solitary soldier experiences a brief but intense connection at a pool hall. The year 1911 finds a Taiwanese courtesan navigating a difficult choice between romance and survival amidst Japanese occupation. Finally, in 2005, a singer grapples with a critical decision concerning her artistic inspiration and career ambitions, as these separate narratives subtly intertwine.

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In a lyrical triptych that sweeps across three distinct eras of Taiwanese history, the film weaves together quiet moments of yearning and the subtle ways love resurfaces amid social change. From the heat‑stifled summer of the mid‑1960s to the muted streets of a colonised port town in the early 20th century, and finally to the neon‑lit clubs of a bustling 2005 metropolis, each vignette captures a particular slice of life while echoing a shared emotional current. The mood shifts from nostalgic melancholy to restrained optimism, all underscored by a visual palette that balances period detail with an almost poetic stillness.

The first story follows Chen, a young soldier on leave who drifts into a lively pool hall where May works behind the counter. Their encounter is marked by the clack of billiard balls and fleeting glances, suggesting a connection that feels both immediate and fragile. Set against the backdrop of a society in flux, the narrative lingers on the intimacy of brief exchanges, the unspoken hopes that linger in a room humming with low conversation, and the quiet wish for something lasting beyond the moment.

In 1911, amid Japanese occupation, a singing courtesan named Ah Mei navigates a world of rigid hierarchy and emerging modernity. Her life intertwines with that of Mr. Chang, a traveling writer whose ideals clash with the constraints of the era. Their interactions unfold in the shadow of silent‑film theatres and dimly lit brothels, painting a portrait of yearning for personal freedom and artistic expression. The tone here is hushed yet intense, reflecting both the oppressive atmosphere of the time and the inner fire that drives the characters toward an uncertain future.

The final segment lands in contemporary Taipei, where Jing, a club singer with a fierce creative drive, balances the demands of her art with the tangled emotions of her relationships. The city’s vibrant nightlife provides a backdrop for her search for inspiration and the delicate negotiations of love and ambition. Zhen, a photographer caught in the same orbit, adds another layer of tension as both characters grapple with the push‑and‑pull of desire, career, and self‑discovery. Together, these three stories form a resonant meditation on longing, each era echoing the timeless quest for connection amid changing worlds.

Last Updated: August 10, 2025 at 10:08

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