Things

In a dimly lit suburban house where the ordinary collides with the forbidden, a desperate quest for parenthood spirals into a nightmarish experiment. The film opens on a world where scientific curiosity and personal obsession blur the line between creation and abomination, setting a foreboding atmosphere that feels both claustrophobic and unsettling. Shadows linger in every hallway, and a sense of inevitable dread hovers over each whispered decision, hinting that the pursuit of life can quickly become a nightmare.

Don Drake returns home with his loyal friend Fred Horton, only to find his own brother Doug Drake and Doug’s wife Susan Drake entrenched in a clandestine project overseen by the enigmatic Dr. Lucas. Don carries the weight of familial expectation, while Doug wrestles with the longing for an heir, and Susan is haunted by the emptiness of an unfulfilled womb. Their interactions are charged with a blend of camaraderie, frustration, and an undercurrent of desperation that fuels the unsettling experiment. The dynamics between the brothers, the couple, and the aloof doctor create a volatile mix, each character driven by personal motives that clash with the unsettling science they pursue.

The tone is a relentless blend of body‑horror and psychological suspense, rendered in a stark visual style that magnifies the grotesque possibilities lurking beneath the surface. As the night deepens, the house itself seems to breathe, amplifying the characters’ anxieties and the eerie hum of the unknown. Through muted colors, oppressive sound design, and fragmented glimpses of forbidden knowledge, the film invites the audience to linger on the fragile line between creation and chaos, leaving a lingering sense that some experiments are better left unstarted.

Last Updated: December 03, 2025 at 23:43