Year: 1988
Runtime: 89 mins
Language: English
Director: Joe Tornatore
A gang of deranged punk youths storms a family’s remote mountain vacation home, slaughtering everyone except a lone daughter who escapes. Pursuing her across a bleak, snow‑bound landscape, the attackers soon discover that a savage, unseen creature is hunting them, turning their violent spree into a terrifying fight for survival.
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Film special effects artist Orville Kruger, [Guy Stockwell], brings his daughter Lisa [Linda Blair] and her friend Kathy [Donna Wilkes] to the family’s remote country house in the San Bernardino Mountains. On the road, Lisa and Kathy are harassed by a gang of punks driving a Volkswagen van, led by Scratch [Brad Wilson], who are planning to rob the Krugers’ home. Scratch and his crew are on the run after a robbery and mass murder of a family in Nevada.
Lisa and Kathy arrive at the house, where Lisa’s mother informs them that Lisa’s uncle Rod [Tab Hunter], a plastic surgeon, is arriving the next day. In conversation, Lisa asks how “Patrick” is doing, and Orville later plays a prank on the girls using his special effects creations. That night, the gang holds the family hostage and threatens them, demanding their valuables. When Orville states they have none, the gang bludgeons him to death with a log before killing Lisa’s mother. From behind a glass slot in a wall, a pair of eyes look on as the gang brutalize the Krugers.
The gang begins a rape attempt against Kathy before a female member of the criminals stabs her to death. Lisa manages to escape the house and flees on foot. The gang proceeds to ransack the house before departing, and finds a hidden room decorated like a nursery. A hideously deformed man—revealed to be Lisa’s adopted brother, Patrick—murders two of the gang members before the rest flee into the woods. Scratch and his girlfriend, Shelley [Michelle Bensoussan], decide they will fight Patrick. At dawn, Lisa is attacked by one of the gangsters, but Patrick arrives and saves her, killing him.
Rod arrives at the house and finds police there, who suspect the missing Lisa may have committed the murders. Lisa is later found unconscious in the woods by authorities. Meanwhile, Scratch and Shelley come face to face with Patrick, who attempts to kill them, but he is subsequently shot dead by police. Lisa, suffering a blood clot, is hospitalized, while Scratch and Shelley falsely claim to have been innocent victims of Patrick. Lisa subsequently dies during an emergency operation; with the only witness to the crime now dead, Scratch and Shelley are due to be released by police.
Rod tells authorities that the deformed Patrick was abandoned as a child and raised by the Krugers, who kept him contained to ensure he would not hurt anyone. Upon realizing that Scratch and Shelley are to be freed, he rents two surgical tables and procures a shotgun. Outside the jail, Rod kidnaps the two and drives them back to the Krugers’ country home. In a makeshift operating room, Rod reveals that he too is deformed, removing a mask made by his brother Orville to conceal his facial deformity. Rod surgically mutilates Scratch and Shelley before locking them inside Patrick’s soundproof nursery.
The events are subsequently shown not to be real, but a test screening of a feature film hosted by the Frankenstein Monster and the Wolfman. The Frankenstein Monster and the Wolfman burst into the screening room, frightening the audience.
Last Updated: October 09, 2025 at 14:34
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Pitting human survivors against relentless monsters and monstrous humans.If you liked the vicious cycle of violence and the monstrous threat in Grotesque, explore more movies where desperate survival pits characters against creatures and savage attackers. These similar horror tales feature brutal home invasions, remote locations, and relentless pacing for a tense viewing experience.
Narratives typically begin with a violent incursion or a catastrophic event that isolates a group. The struggle for survival quickly escalates as a monstrous entity—often representing a deeper theme like trauma or deformity—enters the fray, forcing humans to confront external and internal savagery. The pacing is fast, with little respite from the escalating violence and dread.
These movies are grouped by their shared high-intensity atmosphere, reliance on graphic violence, and the central theme of survival against physically monstrous threats. They deliver a consistent experience of relentless tension, bleak outcomes, and a focus on the physical and psychological toll of extreme violence.
Horror stories that question the nature of reality and narrative itself.For viewers who appreciated the confusing meta-twist in Grotesque, this section highlights other horror films that break the fourth wall or feature movies-within-movies. These similar films play with narrative structure, creating ambiguity and adding a layer of psychological complexity to the terror.
The narrative pattern often involves a seemingly straightforward horror plot that is subverted by a late-game revelation, such as the story being a film, a dream, or an unreliable perception. This structural twist reframes the preceding events, creating ambiguity and forcing a reconsideration of the characters' fates and the story's reality.
These films are connected by their shared narrative complexity and their focus on psychological unease derived from structural ambiguity. While their surface-level genres may vary, they are united by a 'MIXED' type of experience that blends traditional horror elements with a mind-bending, meta-fictional layer.
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