The Road Home

In the quiet folds of a remote Chinese village, Luo Yusheng returns from the city after learning of his father’s passing. The journey is not simply a trip home but a pilgrimage steeped in ritual, as his mother, Zhao Di, insists that the coffin be carried on foot so the departed can remember the way back. This solemn request sets the tone for a story that moves between present obligations and the echo of an older love that the whole community still whispers about.

The film’s visual language mirrors this duality, beginning in stark black‑and‑white before blossoming into vivid colour whenever memory surfaces. The contrast hints at a world where the past is both a shadow and a living presence, a place where the landscape itself seems to hold the memory of teachers, lovers, and ordinary folk. The village feels timeless yet fragile, its traditions a thread stitching together generations that have come and gone.

Luo Changyu, the late teacher, and Zhao Di once shared a quiet, unspoken romance that became the village’s quiet legend. Their story, recounted through flashbacks, offers a tender counterpoint to Yusheng’s practical concerns, suggesting that love and duty have always been intertwined here. As Yusheng navigates the expectations of his mother and the communal ceremony, he is drawn into a gentle tension between his urban life and the rootedness of his heritage.

Amid the gathering of villagers ready to bear the casket, the narrative invites curiosity about how personal memory sustains collective identity. The atmosphere is both reverent and intimate, hinting at a deeper exploration of how rituals preserve the past while quietly shaping the future of those who choose to listen.

Last Updated: October 27, 2025 at 16:29