The Man Who Loved Women

In a quiet cemetery outside Montpellier, the funeral of Bertrand Morane gathers an unlikely congregation: a sea of women whose lives have intersected with his in fleeting, passionate ways. The atmosphere is equal parts reverent and wry, underscoring a man whose personal history reads like a catalogue of affairs, each one leaving a distinct imprint on the collective memory of those who loved him.

A pragmatic engineer by day, Bertrand spends his hours testing aerodynamic models while his evenings are devoted to the pursuit of romance. The contrast between his meticulous laboratory work and his restless yearning for connection creates a compelling duality that drives the film’s tone—simultaneously humorous, melancholy, and deeply observant. As the years accumulate, he feels the pull to preserve these fragments of his past before they dissolve into obscurity.

It is this impulse that leads him to begin an autobiographical novel, a candid chronicle of love, desire, and the inevitable compromises that accompany a life lived in abundance. While drafting his manuscript, he encounters Geneviève, an editor whose keen interest in his unvarnished storytelling offers both professional encouragement and a subtle, growing intimacy. Their exchanges become a quiet counterpoint to his reminiscences, hinting at the possibility that the very act of writing might reshape the way he perceives his own history.

The film swirls between present reflections and nostalgic flashbacks, painting a portrait of a man who searches for happiness not in a single partnership but in the sheer quantity of experiences. Its mood balances light‑hearted irony with genuine emotional depth, inviting the audience to contemplate the fleeting nature of love, the allure of memory, and the strange comfort found in recounting a life lived on its own, unsteady terms.

Last Updated: December 04, 2025 at 18:06