The Man Who Loved Women

The Man Who Loved Women

Year: 1977

Runtime: 119 mins

Language: French

ComedyRomanceDrama

At Bertrand Morane’s funeral, a crowd of women whose affection he once enjoyed gathers, underscoring the many romances of his life. Through a series of flashbacks, the 40‑year‑old engineer narrates his own love affairs while drafting an autobiographical novel, offering a reflective portrait of his passions and choices.

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The Man Who Loved Women (1977) – Full Plot Summary & Ending Explained

Read the complete plot breakdown of The Man Who Loved Women (1977), including all key story events, major twists, and the ending explained in detail. Discover what really happened—and what it all means.

At a cemetery in Montpellier in December 1976, mourners gather for the funeral of Bertrand Morane. One of the attendants, Genevieve Bigey, stands apart from the others and notices something odd: everyone present seems to be a woman.

Earlier in life, Bertrand, a man in his early middle age, works in a laboratory testing the aerodynamics of scale models of aircraft, but his true obsession is pursuing women. He is frequently successful, yet he stumbles with the woman from the wake-up service who calls to rouse him each morning. After sighting a pair of alluring legs, Bertrand goes to extraordinary lengths—even faking a car accident—to locate the woman, only to learn she has already left France. Still, he does manage to sleep with Bernadette, an employee at the car rental company, a small conquest that feeds his myth of endless conquests.

Bertrand then becomes friendly with Hélène, who runs a lingerie shop and is closer to his age. When she confesses to a preference for younger men, Bertrand, sensing a possible shift in his lifestyle, decides to write his memoirs before the details fade from memory. He recounts his first sexual experience with a prostitute, his complicated relationship with his mother—beautiful yet emotionally distant, who would abandon him to be with her lovers—and many other long and short-term affairs. An emotionally unstable woman named Delphine Grezel enjoyed public displays of affection, and her relationship with Bertrand ends when she is imprisoned for shooting her husband. After Delphine is released, she visits Bertrand, and the two have a threesome with Bernadette.

When Bertrand contracts gonorrhea, the doctor is impressed by his candor and notes that Bertrand does not know who infected him, having slept with six women in the previous twelve days. The typist Bertrand pays to make copies of his manuscript quits in embarrassment over its explicit content, leaving him momentarily disheartened, but he eventually resumes writing and decides to finish the book before returning to publishing houses.

A publisher’s editor, Geneviève, takes a keen interest in Bertrand’s manuscript and champions it to her boss, who agrees to publish it without changes. When Bertrand travels to Paris to meet with Geneviève, he runs into Véra, an old flame whose breakup five years earlier forced him to abandon Paris and rely on various medications. He tells her he has moved on and does not want to dine together, but the encounter rekindles the sense that the book was shaped by her in some way.

Realizing that his decision to write the book was partly inspired by Véra, but that she is erased from it, Bertrand calls Geneviève to request a rewrite. She explains that writers often feel they have failed to capture the exact book they set out to write, and she urges him to let the manuscript stand as it is while suggesting that his next project might focus on Véra. Bertrand agrees to trust Geneviève, and the manuscript is prepared for publication. An offbeat, unspoken romance blooms as Geneviève falls for Bertrand, and they begin an affair.

During the Christmas season, Bertrand cannot reach anyone from his extensive network, so he roams the night streets and is struck by a car while chasing after two women. Severely injured, he is hospitalized and told not to move. In a final, ironic moment, he lunges at a nurse with attractive legs, falls from the bed, and dies.

At Bertrand’s funeral, Geneviève reflects that she is the one who knows the true story of his life. She does not doubt that, in his own way, Bertrand loved each of his partners, and she believes he was always searching for happiness in quantity rather than finding it in any single person.

Last Updated: October 09, 2025 at 11:23

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Movies that use memoir and reflection like The Man Who Loved Women

Characters looking back on their lives, finding meaning and melancholy in memory.If you liked the reflective, autobiographical structure of The Man Who Loved Women, explore these other movies where characters look back on their lives. These films often share a bittersweet tone, moderate pacing, and a focus on memory and self-discovery, creating a similar thoughtful and introspective experience.

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Narrative Summary

The narrative is framed by a character actively recounting their life story, often while writing a book or reminiscing. This creates a dual timeline between the present act of reflection and the past events being described. The journey is less about external plot and more about internal understanding, as the character pieces together the themes and choices that defined them.

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These movies are grouped by their shared narrative structure and introspective mood. They prioritize character depth over fast-paced action, using the act of remembering to explore complex emotions, life patterns, and the poignant gap between who we were and who we think we are.

Movies about romantic obsession like The Man Who Loved Women

Stories of characters driven by an insatiable, often self-destructive, need for romance.Fans of The Man Who Loved Women will appreciate these other films exploring characters with a compulsive need for romantic conquests. These movies delve into the complexities of serial womanizing or romantic obsession, often blending drama and irony while examining the search for happiness and its bittersweet consequences.

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Narrative Summary

The narrative follows a character, often a charming but flawed protagonist, as they cycle through a series of romantic entanglements. The plot is episodic, driven by each new conquest, but an underlying current of melancholy or emptiness grows as the pattern repeats. The story examines whether this compulsion is a path to fulfillment or a symptom of a deeper dissatisfaction, typically leading to a poignant or ironic conclusion.

Why These Movies?

These films are united by their focus on a specific character archetype and thematic exploration. They share a mix of romantic charm and psychological depth, a steady pace that allows for character study, and a tone that balances the thrill of the chase with the weight of its consequences.

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Characters, Settings & Themes in The Man Who Loved Women

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