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The Man Who Loved Women (1977) movie poster

Plot Summary

The Man Who Loved Women (1977) Plot Summary Explained

Release, runtime and language
1977 · 119 mins · French
JustWatch #6,409 110
Starring
François Truffaut, Jean Dasté, Charles Denner, Nathalie Baye, Leslie Caron, Suzanne Schiffman

At Bertrand Morane’s funeral, a crowd of women whose affection he once enjoyed gathers, underscoring the many romances of his life. Through a series of flashbacks, the 40‑year‑old engineer narrates his own love affairs while drafting an autobiographical novel, offering a reflective portrait of his passions and choices.

On this page (7)
  1. 1 Where to watch
  2. 2 What happens: full plot
  3. 3 Plot questions answered
  4. 4 Movie threads
  5. 5 Movies like The Man Who Loved Women
  6. 6 Categories
  7. 7 Every angle

Where to watch

Where to Watch The Man Who Loved Women (1977)

Where can you watch The Man Who Loved Women? Stream, rent or buy it in the US, including on Amazon Prime Video, Fandango at Home Free and Amazon Video: current JustWatch availability with up-to-date prices.

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Full plot summary · contains spoilers

What Happens in The Man Who Loved Women: Full Plot Summary

The whole story of The Man Who Loved Women (1977) explained, from the opening scene to the final frame: every key event, every twist and what it all adds up to. Read it as a quick recap before the sequel, to check a scene you missed, or to finally understand what really happened.

At a cemetery in Montpellier in December 1976, mourners gather for the funeral of Bertrand Morane. One of the attendants, Genevieve Bigey, stands apart from the others and notices something odd: everyone present seems to be a woman.

Earlier in life, Bertrand, a man in his early middle age, works in a laboratory testing the aerodynamics of scale models of aircraft, but his true obsession is pursuing women. He is frequently successful, yet he stumbles with the woman from the wake-up service who calls to rouse him each morning. After sighting a pair of alluring legs, Bertrand goes to extraordinary lengths—even faking a car accident—to locate the woman, only to learn she has already left France. Still, he does manage to sleep with Bernadette, an employee at the car rental company, a small conquest that feeds his myth of endless conquests.

Bertrand then becomes friendly with Hélène, who runs a lingerie shop and is closer to his age. When she confesses to a preference for younger men, Bertrand, sensing a possible shift in his lifestyle, decides to write his memoirs before the details fade from memory. He recounts his first sexual experience with a prostitute, his complicated relationship with his mother—beautiful yet emotionally distant, who would abandon him to be with her lovers—and many other long and short-term affairs. An emotionally unstable woman named Delphine Grezel enjoyed public displays of affection, and her relationship with Bertrand ends when she is imprisoned for shooting her husband. After Delphine is released, she visits Bertrand, and the two have a threesome with Bernadette.

When Bertrand contracts gonorrhea, the doctor is impressed by his candor and notes that Bertrand does not know who infected him, having slept with six women in the previous twelve days. The typist Bertrand pays to make copies of his manuscript quits in embarrassment over its explicit content, leaving him momentarily disheartened, but he eventually resumes writing and decides to finish the book before returning to publishing houses.

A publisher’s editor, Geneviève, takes a keen interest in Bertrand’s manuscript and champions it to her boss, who agrees to publish it without changes. When Bertrand travels to Paris to meet with Geneviève, he runs into Véra, an old flame whose breakup five years earlier forced him to abandon Paris and rely on various medications. He tells her he has moved on and does not want to dine together, but the encounter rekindles the sense that the book was shaped by her in some way.

Realizing that his decision to write the book was partly inspired by Véra, but that she is erased from it, Bertrand calls Geneviève to request a rewrite. She explains that writers often feel they have failed to capture the exact book they set out to write, and she urges him to let the manuscript stand as it is while suggesting that his next project might focus on Véra. Bertrand agrees to trust Geneviève, and the manuscript is prepared for publication. An offbeat, unspoken romance blooms as Geneviève falls for Bertrand, and they begin an affair.

During the Christmas season, Bertrand cannot reach anyone from his extensive network, so he roams the night streets and is struck by a car while chasing after two women. Severely injured, he is hospitalized and told not to move. In a final, ironic moment, he lunges at a nurse with attractive legs, falls from the bed, and dies.

At Bertrand’s funeral, Geneviève reflects that she is the one who knows the true story of his life. She does not doubt that, in his own way, Bertrand loved each of his partners, and she believes he was always searching for happiness in quantity rather than finding it in any single person.

Last updated: October 09, 2025 at 11:23

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Plot questions answered

The Man Who Loved Women Plot Explained: Your Questions Answered

The questions people ask most about The Man Who Loved Women (1977): what happens in the confusing scenes, why the characters do what they do, the twists, hidden details and what the ending means. Each answer contains spoilers.

Q1

Why does Bertrand decide to write his memoirs?

Bertrand decides to write his memoirs after befriending Hélène, a lingerie shop owner who tells him she prefers younger men. This conversation makes him realize his lifestyle is changing, so he wants to document his many conquests before the memories fade. The memoir becomes both a self-portrait and an attempt to understand the roots of his obsession with women.

Foreshadowing: Earlier scenes show Bertrand's pattern of pursuing women, establishing why he feels the need to preserve his experiences in writing.

  • memoirs
  • Hélène
  • writing
  • reflection
  • lifestyle change
Q2

Why does Bertrand die at the end of the film?

Bertrand dies after being struck by a car while chasing two women through the streets on Christmas night. Hospitalized with severe injuries and told not to move, he lunges at a nurse with attractive legs, falls from his bed, and dies from his injuries. His death is the ironic culmination of a lifetime spent pursuing women, proving he could never resist temptation even when his life depended on it.

Foreshadowing: The opening funeral scene establishes that everyone attending Bertrand's burial is a woman, hinting at the life that led to his downfall.

  • death
  • accident
  • nurse
  • irony
  • chase
Q3

Why are all the mourners at Bertrand's funeral women?

All the mourners at Bertrand's funeral are women because he had romantic relationships with countless women throughout his life. The film uses this visual detail to underscore the central theme of his insatiable pursuit of women. Geneviève, the editor who becomes his final lover, stands apart from the crowd, already positioned as the one who truly understood him.

Foreshadowing: This scene serves as the framing device for the entire film, which unfolds as a flashback explaining how Bertrand lived and why so many women attended his funeral.

  • funeral
  • mourners
  • women
  • legacy
Q4

Why was Bertrand's mother emotionally distant?

Bertrand's mother was beautiful but emotionally cold, preferring to spend time with her own lovers rather than caring for her son. She would abandon Bertrand to be with other men, leaving him to grow up with significant emotional deprivation. This childhood neglect likely planted the seeds of his adult obsession with women, as he constantly sought the affection and validation he never received from his mother.

Foreshadowing: The memoir recounts this painful background early in the narrative, establishing the psychological foundation for Bertrand's lifelong pursuit of romantic conquests.

  • mother
  • childhood
  • abandonment
  • psychology
Q5

Why does Bertrand want to remove Véra from his book?

Bertrand realizes his manuscript was unconsciously shaped by Véra, an old flame whose breakup five years earlier forced him to leave Paris. However, he wrote about many other women while omitting her entirely. When he meets Véra unexpectedly in Paris, he recognizes she was the true inspiration behind his writing, yet she is absent from the pages. He calls Geneviève requesting a rewrite to include her.

Foreshadowing: The manuscript's content focuses on lighter conquests rather than deeper emotional connections, suggesting Bertrand was avoiding the painful memory of Véra.

  • Véra
  • manuscript
  • rewrite
  • Paris
  • inspiration
Q6

What does Geneviève mean when she says Bertrand loved each of his partners?

At the funeral, Geneviève reflects that she is the only one who knows the true story of Bertrand's life and affirms that he genuinely loved each of his partners in his own way. She believes he was searching for happiness through quantity rather than depth, always seeking the next conquest rather than finding fulfillment in any single relationship. This interpretation suggests his relentless pursuit was a genuine, if misguided, quest for connection rather than mere superficial desire.

Foreshadowing: The affair between Bertrand and Geneviève develops as the manuscript moves toward publication, giving her unique insight into his character.

  • Geneviève
  • love
  • understanding
  • reflection
  • funeral
Q7

Why does Bertrand fake a car accident to find the woman with legs?

After seeing a woman with what he describes as the most beautiful legs he has ever seen from his laboratory window, Bertrand becomes obsessed with finding her. He goes so far as to stage a car accident to force the wake-up service to reveal her identity, only to learn she has already left France. This extreme行为 demonstrates the intensity of his fixation on women, establishing early in the film that his pursuit knows no reasonable limits.

Foreshadowing: This incident sets the template for Bertrand's pattern of going to extraordinary lengths in pursuit of romantic conquests throughout the film.

  • legs
  • obsession
  • search
  • faked accident
Q8

What is the significance of Bertrand contracting gonorrhea?

The gonorrhea episode highlights the recklessness of Bertrand's sexual behavior. When examined, the doctor notes he has slept with six women in the previous twelve days and cannot determine who infected him. This medical incident underscores his inability to maintain meaningful connections, his conquests blur together into a anonymous blur, reinforcing the film's theme of quantity over quality in his romantic life.

Foreshadowing: The episode reinforces Bertrand's reliance on his 'little black book' of lovers and sets up the typist's eventual departure over the manuscript's explicit content.

  • gonorrhea
  • std
  • recklessness
  • consequences
Q9

Why does Delphine Grezel shoot her husband?

Delphine Grezel is an emotionally unstable woman who enjoys public displays of affection. Her relationship with Bertrand ends when she is imprisoned for shooting her husband. While the exact motivation for the shooting is not detailed in the film, it reflects the volatile and dangerous nature of her personality, which ultimately made her incompatible even with someone as reckless as Bertrand.

Foreshadowing: After her release, Delphine returns to visit Bertrand, demonstrating that her connection to him transcended the boundaries of conventional relationships.

  • Delphine Grezel
  • shooting
  • imprisonment
  • unstable
Q10

What is Bertrand doing roaming the streets on Christmas night?

On Christmas night, Bertrand roams the Paris streets because he cannot reach anyone from his extensive network of lovers. Everyone is with their families or otherwise occupied, leaving him alone during the holiday. Desperate and unable to resist his impulses, he pursues two women on the street, which leads to his fatal accident. This scene demonstrates the emptiness beneath his many conquests, despite having slept with hundreds of women, he has no one to turn to when he truly needs someone.

Foreshadowing: The earlier funeral scene establishes that all his lovers eventually move on, leaving him alone at the end.

  • Christmas
  • loneliness
  • pursuit
  • streets

Movie threads

More Movies Like The Man Who Loved Women, by Mood & Story

Curated lists built around what makes The Man Who Loved Women tick: the same mood, the same kind of story or the same emotional payoff. Each list explains why these movies belong together.

Movies that use memoir and reflection like The Man Who Loved Women

Characters looking back on their lives, finding meaning and melancholy in memory. If you liked the reflective, autobiographical structure of The Man Who Loved Women, explore these other movies where characters look back on their lives. These films often share a bittersweet tone, moderate pacing, and a focus on memory and self-discovery, creating a similar thoughtful and introspective experience.

  • reflective
  • memoir
  • introspective
  • wistful
  • melancholic
  • autobiographical
  • Tone: reflective, bittersweet, melancholic
  • Pacing: steady, contemplative
Why these movies?

The story pattern: The narrative is framed by a character actively recounting their life story, often while writing a book or reminiscing. This creates a dual timeline between the present act of reflection and the past events being described. The journey is less about external plot and more about internal understanding, as the character pieces together the themes and choices that defined them.

Why they belong together: These movies are grouped by their shared narrative structure and introspective mood. They prioritize character depth over fast-paced action, using the act of remembering to explore complex emotions, life patterns, and the poignant gap between who we were and who we think we are.

Movies about romantic obsession like The Man Who Loved Women

Stories of characters driven by an insatiable, often self-destructive, need for romance. Fans of The Man Who Loved Women will appreciate these other films exploring characters with a compulsive need for romantic conquests. These movies delve into the complexities of serial womanizing or romantic obsession, often blending drama and irony while examining the search for happiness and its bittersweet consequences.

  • obsessive
  • romantic
  • melancholic
  • psychological
  • ironic
  • compulsive
  • Tone: bittersweet, ironic, melancholic
  • Pacing: steady, episodic
Why these movies?

The story pattern: The narrative follows a character, often a charming but flawed protagonist, as they cycle through a series of romantic entanglements. The plot is episodic, driven by each new conquest, but an underlying current of melancholy or emptiness grows as the pattern repeats. The story examines whether this compulsion is a path to fulfillment or a symptom of a deeper dissatisfaction, typically leading to a poignant or ironic conclusion.

Why they belong together: These films are united by their focus on a specific character archetype and thematic exploration. They share a mix of romantic charm and psychological depth, a steady pace that allows for character study, and a tone that balances the thrill of the chase with the weight of its consequences.

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Categories

Movie Lists Featuring The Man Who Loved Women

The Man Who Loved Women appears in these hand-built movie categories. Each one groups movies by a specific mood, theme or story type, with their plot summaries and endings explained.

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Every angle

The Man Who Loved Women (1977) Explained: Plot, Timeline & Characters

Everything about The Man Who Loved Women in one place: what happens in the plot summary, the timeline in chronological order, the characters and meaning and a spoiler-free summary. What's After the Movie adds the cast, box office and post-credit scenes.

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