Papilio Buddha

In the mist‑clad hills of the Western Ghats, a tight‑knit Dalit community clings to the fragile hope of a new identity. Their struggle against land loss, caste oppression, and the encroaching forces of modern development creates a landscape that feels both verdant and volatile, where every rustle of leaves hints at untold histories. The film’s tone is meditative yet urgent, a lyrical portrait of a place where tradition and resistance intertwine like the vines winding through the forest canopy.

At the heart of this world is Shankaran, a restless young man who has stepped away from the halls of Jawaharlal Nehru University, searching for a foothold in a life that seems to demand both conformity and rebellion. He lives under the watchful eye of his father, Kandal Kariyan, a steadfast communist whose convictions anchor the family even as the tides of change crash around them. Across the village, Manjusree hauls a rickshaw through steep mountain roads, carving a space for herself in a sphere that often denies her agency, her determination echoing the broader quest for dignity. The arrival of Jack, a foreign lepidopterist with a gentle curiosity, introduces an unexpected softness; his shared fascination with butterflies becomes a quiet bridge between worlds, hinting at connections that defy the rigid borders of caste, sexuality, and nationality.

The community’s turn toward Buddhism offers more than a religious shift—it’s a collective breath, a subtle rebellion against centuries‑old hierarchies. The film moves with a measured rhythm, letting the lush scenery and the murmurs of everyday life shape the narrative mood. As characters navigate love, identity, and the weight of their histories, the story invites viewers to linger on the delicate balance between hope and hardship, leaving an open‑ended sense of possibility that hovers like the flutter of a butterfly’s wings over the hills.

Last Updated: October 07, 2025 at 13:28