Genealogies of a Crime

In a rain‑slick opening, a lone figure discards a knife beneath the watchful gaze of an empty Go board, while a narrator whispers an ancient Chinese fable that lingers like a haunting echo. The film settles into a moody, intellectual world where a prestigious Franco‑Belgian psychoanalytic society looms over a city that feels both elegant and claustrophobic. Themes of obsession, memory, and the thin line between care and control swirl through muted corridors, and a recurring role‑reversal game hints at deeper, unspoken exchanges between the characters.

At the heart of the story is Solange, a seasoned attorney known for taking on the most hopeless cases. When she is called to defend a young man, René, whose actions have drawn the attention of the legal system, she becomes entangled in a labyrinth of family secrets and psychological scrutiny. René is a complex figure under the protective wing of his aunt, Jeanne, a respected psychiatrist whose own methods and motives are as enigmatic as the ancient fable that frames the narrative. As Solange delves into diaries, testimonies, and the inner workings of the psychoanalytic circle, she must navigate a fragile alliance between a protector who may also be complicit and the shadows of the past that shape their present.

The atmosphere is dense with intellectual tension, punctuated by moments of eerie stillness and unsettling rituals that the society conducts. Georges, the volatile leader of the group, adds an unpredictable edge, his temper and quirks underscoring the film’s exploration of how authority can both illuminate and obscure truth. Against this backdrop, the story asks whether the very person meant to safeguard a troubled mind might be steering it toward darkness, leaving Solange—and the audience—to question where empathy ends and manipulation begins.

Last Updated: August 20, 2025 at 17:46