Franklyn

In a film that slips between the familiar streets of contemporary London and the stark, neon‑lit sprawl of Meanwhile City, reality itself feels pliable. Meanwhile City is a hyper‑stylized metropolis where belief is legislated, its architecture a visual echo of devotion, while London offers a grounded, rain‑soaked backdrop of artistic yearning and everyday uncertainty. The juxtaposition creates a mood that is simultaneously intimate and otherworldly, hinting at unseen connections that bind the two realms together.

_ Jonathan Preest_ inhabits the surreal world of Meanwhile City as a masked figure who moves against the grain of a society that demands faith. As the sole known atheist, his presence is a quiet rebellion, a lone search for meaning in a place where belief is compulsory. He navigates a landscape of rigid doctrine with a blend of resolve and melancholy, hinting at deeper questions about freedom and identity.

_ Emilia_ drifts through the London side of the story, an art student whose projects blur the line between performance and personal confession. Her restless creativity is matched by an inner fragility, and her interactions with strangers become a mirror for her own yearning for connection. She carries the weight of family secrets and an unsteady sense of self, setting the tone for a narrative that feels both raw and poetically charged.

_ Peter_ is a devout man whose life is anchored by concern for his son, the veteran David, whose return from war has left invisible scars. Their relationship pulses with strained loyalty and a quiet desperation to heal what conflict has torn apart. Across the city, Milo navigates his own heartbreak, chasing echoes of a lost love while the world around him swirls with uncertainty. Together, these four lives pulse in rhythm, their stories poised on the edge of a single decisive moment that promises to merge the two worlds in an unexpected way.

Last Updated: October 11, 2025 at 19:41