This provocative documentary examines the ways in which filmmaking techniques contribute to the objectification of women. Using iconic film clips, Nina Menkes analyzes camera angles and narrative structures, arguing that they often reinforce harmful gender norms and perpetuate a culture of sexual abuse, discrimination, and assault. The film explores the pervasive influence of patriarchy within the cinematic industry and its broader societal implications, revealing a hidden power dynamic at play.
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“Startling and thought-provoking, Brainwashed is poised to transform how audiences perceive film. As noted by IndieWire, it inspires not only a fresh way of looking but also a revolutionary approach to seeing.”
For decades, feminist film theorists have delved into the complexities and consequences of the “male gaze.” Initially coined in 1975 by Laura Mulvey—who appears as a pivotal interviewee in Brainwashed—the discussion remains relevant as ever, with the hashtag #malegaze amassing over 300 million views on TikTok. Lena Wilson, a film reviewer for Playlist and TikTok, emphasizes the film’s urgent message: “You may think that on-screen sexism is a thing of the past, or that it can’t possibly affect our society… Menkes is here to tell you, emphatically, that you are wrong.”
Brainwashed builds on the foundational work of Mulvey alongside other prominent feminist thinkers such as Judith Butler, bell hooks, and Angela Carter. Through a combination of interviews with 21 distinguished women and nonbinary experts (and even one man!), along with nearly 200 iconic film clips dating from 1896 to the present, independent filmmaker Nina Menkes meticulously uncovers how elements of shot design—including POV, framing, camera movement, lighting, and sound—have ingrained the sexist binary within cinematic history. The film adeptly links these gendered “laws” of visual language to the pervasive issues of sexual harassment and assault, as well as gender discrimination in the workplace.
By deconstructing societal perceptions of who women are versus the identities they are permitted to embody, Brainwashed equips viewers with the necessary tools to challenge their understanding of traditional filmmaking and its profound repercussions in real life.
Last Updated: November 07, 2024 at 23:03
Discover curated groups of movies connected by mood, themes, and story style. Browse collections built around emotion, atmosphere, and narrative focus to easily find films that match what you feel like watching right now.
Documentaries that meticulously deconstruct a system to expose its hidden power dynamics.Find movies like Brainwashed: Sex-Camera-Power that critically analyze cultural systems. These documentaries expose hidden power dynamics in media, politics, or society, offering a serious, thought-provoking, and analytical viewing experience for those seeking enlightenment on complex issues.
Films in this thread follow a persuasive, argument-driven structure. They present a central thesis—often about a systemic injustice—and build their case methodically through interviews, archival footage, and expert analysis. The narrative is less about character arcs and more about the strength of the intellectual argument being presented.
These movies are grouped by their shared mission to analyze and expose. They possess a serious, urgent tone, a steady, analytical pacing, and a high intellectual intensity. The focus is on creating a coherent, evidence-based critique that leaves the viewer with a new, critical perspective.
Movies that turn the camera on filmmaking itself to question its language and impact.If you liked Brainwashed: Sex-Camera-Power's analysis of film technique, explore these movies about cinema itself. This thread includes documentaries and dramas that deconstruct filmmaking, critique Hollywood, or explore the power of the cinematic image in a serious and thought-provoking way.
The narrative pattern involves using film clips, director interviews, and cinematic theory to explore a specific aspect of movies. The journey is one of revelation, guiding the audience from passive viewer to active critic, armed with a new understanding of how visual language constructs meaning and ideology.
These films are united by their meta-subject matter: cinema. They share a analytical tone, a complexity derived from engaging with film theory, and a mood that is both enlightening and critical. The pacing is often steady, building a case about the nature of the medium.
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