What Comes Around

In a quiet suburb where the rhythm of everyday life is punctuated by the glow of screens, a story of longing and hidden depths begins to unfold. The world feels both familiar and slightly off‑kilter, a place where poetry can be a secret language and a single message can turn a simple birthday into a moment of unexpected intensity. The tone hovers between tender romance and a subtle, unsettling undercurrent, inviting viewers to sense that something more lies beneath each whispered line.

Anna is a thoughtful seventeen‑year‑old whose love of Emily Dickinson draws her into an online connection that feels as intoxicating as it is mysterious. The voice on the other side belongs to Eric, a charismatic yet older figure whose literary gifts spark both excitement and doubt. Around them, Brit, a close friend with a protective streak, offers a grounded perspective, while at home, Beth and her fiancé Tim provide the backdrop of family expectations and the quiet pressure of adulthood. The characters each carry their own hopes and insecurities, setting the stage for a delicate dance of attraction and caution.

As the relationship deepens, the film paints a portrait of youthful yearning tangled with the complexities of age, secrecy, and the desire to be seen. The romance blossoms amid a web of unspoken questions, each text and shared poem hinting at a truth that remains just out of reach. The atmosphere is charged with the tension of what is said and what is left unsaid, making the audience feel the pull between trust and uncertainty.

The narrative promises a journey where love becomes a maze of concealed motives and emotional risk, all wrapped in an evocative, moody aesthetic. By the end of the opening act, viewers are left wondering how far the characters will go to protect what matters most, and what revelations might surface when the line between illusion and reality finally blurs.

Last Updated: August 09, 2025 at 20:37