We Are Still Here

In the quiet stillness of a rural New England village, a grieving couple seeks a fresh start after a tragic loss. Paul and Anne Sacchetti leave behind the painful echo of their son’s memory, hoping that a slow‑moving town and a charming historic home will offer the solace they can no longer find in the city. The house, a former 19th‑century funeral home, exudes the creak of old wood and the faint scent of incense, hinting at a past that refuses to stay buried. Its weathered façade and sprawling grounds set the stage for a slow‑burning gothic atmosphere that feels both inviting and unsettling.

A mysterious neighbor, Cat McCabe, watches the newcomers with a wary eye, subtly warning them that the house may hold more than just memories. The locals whisper of a dark legacy tied to the property—a family once tied to the land whose restless presence seems to linger in the shadows. When May and Jacob, close friends with an interest in the unseen, arrive to help Anne connect with what she believes is still her son, the air grows thick with unspoken questions. The village itself feels caught between timeless tradition and an undercurrent of dread, a place where the ordinary and the supernatural glide together like mist over the fields.

As the Sacchettis settle into their new life, grief and curiosity become twin forces pulling them deeper into the house’s secretive heart. The couple must confront an unsettling reality: the walls seem to pulse with a hunger that could consume their very hope, and the lingering spirit of their lost child might be drawn into an endless loop of torment. The film balances tender moments of mourning with a slow, foreboding tension, inviting viewers to wonder whether the past can ever truly be laid to rest—or if some homes are doomed to echo the sorrow of those who dwell within.

Last Updated: August 10, 2025 at 04:33