The House of the Dead

The mortician reveals that he collects bodies of people who died in unusual or remarkable ways. He invites Talmudge inside during the storm specifically to share these tales, presenting death as a macabre spectacle. Each story illustrates a different form of violent or strange death, serving as a moral gallery of human folly and consequence. The mortician's ultimate purpose becomes clear when he reveals he knows about Talmudge's infidelity, suggesting these stories are meant as warnings or a form of judgment.

Early in the film, the mortician hints that his collection is meant to teach lessons about human nature and the fragility of life.

The fifth coffin is empty and specifically prepared for an unfaithful person. The mortician explains that it belongs to someone who practiced infidelity, and he already knows the person's name. This becomes the turning point when he reveals to Talmudge that he is the client, meaning the coffin is intended for him. The empty coffin serves as both a literal and symbolic prediction of Talmudge's fate.

The mortician hints at this when he first mentions the collection, noting that some deaths are more interesting than others.

The mortician calls Talmudge a client because he already knows about Talmudge's infidelity. He reveals he knows the adulterer's name, which shocks Talmudge into realization that his secret affairs have been discovered. This naming marks Talmudge as the next person to join the collection of unusual deaths, effectively sentencing him to death.

Throughout the evening, the mortician's knowing demeanor and references to the 'interesting' nature of certain deaths hint that he is aware of Talmudge's transgressions.

Miss Sibiler is attacked by a group of masked children who reveal sharp teeth. The film establishes that she is a schoolteacher who harbors a deep dislike for children. The children systematically break into her home, corner her, and maul her to death. The motivation appears to be both literal and symbolic, she despises children, and they return to kill her in a brutal, coordinated attack.

Her profession as a teacher who dislikes children is established early, hinting at the nature of her fate.

Growski uses camera equipment to lure and kill women. He invites women to his home under pretenses, then uses their own stockings or camera cables to strangle them while filming the murders. He kills three women: Julie (with stockings), Carol (with a cable), and Mrs. Lumquist (with a knife). He is eventually caught and executed for his crimes, though the state forbade photographs at his execution.

Growski's obsession with cameras is established early, showing his home filled with photography equipment.

Detective Toliver receives an unsigned note warning that someone he knows will die in three days. When McDowal insists on shadowing him, Toliver deduces the truth: he is the intended victim and McDowal is the killer. McDowal shoots Toliver, but Toliver survives because he wore a bulletproof vest. Toliver then activates a hidden blade that impales McDowal, revealing he solved the case two days earlier. The mortician later takes McDowal's body since Toliver's remains were too fragmented to bury.

The unsigned note and McDowal's insistence on shadowing Toliver are early hints at his sinister motive.

Cantwell becomes trapped inside an empty store building after the doors won't open. He wanders through the vacant space, nearly falling into an elevator shaft, and endures prolonged mental and physical torment with only alcohol to sustain him. The isolation and danger slowly break him down until he finally escapes, only to find himself ignored by passersby. He later dies in a gutter from a rotten liver, representing the consequences of his cruel nature.

His callous dismissal of a homeless man establishes his cruel character, which the narrative punishes through his fate.

The husband of a woman with whom Talmudge had an affair corners him in an alley and shoots him. This is the direct consequence of Talmudge's infidelity, his secret affairs have been discovered by the wronged husband, who takes violent revenge. Talmudge is then loaded into an ambulance, with the mortician sitting beside him, completing the cycle of retribution.

The mortician's revelation that Talmudge is the 'client' for the empty fifth coffin foreshadows this violent ending.

All the stories involve people who died in unusual, remarkable ways, each death is unique and violent. The connecting theme is consequence: each victim dies because of their own moral failings or transgressive behavior. The mortician presents these tales as a meditation on human folly, guilt, and the inevitable pull of vengeance. The framing story adds the theme of infidelity as another transgression that leads to death.

The mortician's introduction establishes his collection as 'interesting' deaths resulting from human weakness.

Miss Sibiler is specifically targeted because she is a schoolteacher who deeply dislikes children. The children in the film are depicted as predatory and otherworldly, they arrive masked, reveal sharp teeth, and attack her in a coordinated, brutal manner. Her profession and her aversion to children make her a particular target, as the children exact revenge on someone who despises them.

Her explicit dislike of children is stated early in her story, establishing motive for the attack.

Toliver survives McDowal's shooting because he was wearing a bulletproof vest. He had already deduced two days earlier that McDowal intended to kill him, so he prepared accordingly. When McDowal shoots him, Toliver quips that he 'solved the case two days earlier' and activates a hidden blade mechanism that impales McDowal, turning the tables on his would-be killer.

Toliver's reputation as the best investigator in the United States establishes his ability to anticipate the killer's plans.

The anthology format serves the film's thematic purpose of presenting various forms of unusual death as moral lessons. The mortician acts as a guide through these tales, creating a framed narrative where each story demonstrates different consequences of human behavior, from cruelty to murder to infidelity. This structure allows the film to explore multiple themes of guilt, punishment, and retribution while building toward the protagonist's own doom.

The mortician's introduction establishes the anthology as a collection meant to illustrate the 'strangest' ways people die.