Turn Left, Turn Right

In a quiet, rain‑kissed city, two modest apartment blocks sit side by side, their thin wall a silent witness to lives that echo one another without ever intersecting. The streets outside pulse with ordinary routine—vendors calling, bicycles weaving through alleys—yet an invisible choreography forces the building’s residents to drift perpetually apart. The atmosphere blends gentle melancholy with a subtle, almost playful sense of destiny, as if the city itself is nudging its occupants toward a meeting that keeps slipping just out of reach.

John Liu is an aspiring violinist whose world revolves around fleeting gigs, the promise of steady work, and the restless hum of his instrument. He moves through the city with a nervous habit of veering left whenever he steps outside, a quiet reflex born from an unspoken discomfort with the opposite direction. His days are a blend of rehearsals in cramped practice rooms and the fleeting comfort of music’s solace, all the while feeling an unnamed pull toward something—or someone—just beyond the wall that separates him from his neighbor.

Eve Choi works as a professional translator at a bustling publishing house, spending long nights turning foreign horror novels into smooth Mandarin. Her days are punctuated by the rhythm of language, the clatter of keyboards, and a lingering suspicion that the walls around her might be listening. To counter the unease, she favors the right side of the street, keeping the side she perceives as safer close at hand. Her world is orderly, precise, yet threaded with a quiet yearning for connection that remains just out of sight.

Both characters navigate their parallel lives with the same subtle, opposite choices—left for one, right for the other—creating a delicate dance of near‑misses. The film’s tone is introspective and lyrical, inviting viewers to feel the tension of proximity without contact. As the city breathes around them, an unseen force seems determined to keep their paths from crossing, leaving each step forward tinged with hope and the promise that something just around the corner might finally bridge the divide.

Last Updated: November 25, 2025 at 15:05