The Mirror

A modern Hong Kong man central to the 1999 segment, Ming returns with Judy and contemplates marriage while Yu’s jealousy brews in the background. He navigates love, ambition, and the moral murkiness surrounding the antique dressing table. While he tries to hold onto trust, Judy’s deception pushes the story toward a violent climax tied to the mirror’s dark history.

Judy is Ming’s girlfriend in the 1999 segment, outwardly charming but deeply manipulative. She reveals her true colors as greed and jealousy take hold, culminating in an attempt on Ming’s life. Her death—impaled on a pair of scissors fixed to the dressing table—marks a brutal culmination of the mirror’s corrupting influence.

A Singaporean lawyer in 1988 who leads with opportunism after a one-night stand with Lora. He is dragged into scandal when he defends a rape case for money, only to face the consequences of greed and moral compromise. His career and appearance become entwined with the mirror’s uncanny power.

Lora is James’s wife in 1988 who inherits and houses the dressing table. Her interactions with James and the table unfold against the backdrop of a courtroom case and the unspoken tensions of marriage. She becomes a conduit through which the mirror’s influence spreads in this segment.

Roman is Lora’s burly Teochew-speaking brother who imposes traditional control, forcing James into a marriage with Lora. His presence grounds the segment’s cultural tensions and adds a physical barrier to the unfolding drama. He embodies the everyday power dynamics that the mirror magnifies across generations.

Mary is the Shanghai heiress in 1922 who receives the dressing table as a birthday gift. She embarks on a dark affair with a professor who already has a family, ultimately poisoning him to secure power and wealth. The professor’s daughters reveal themselves later, avenging their father as the mirror reflects a different face of guilt.

Yu is Ming’s cousin in the 1999 segment who harbors strong romantic jealousy toward Ming and Judy. She becomes a central figure in the family tension surrounding the dressing table, ultimately facing the consequences of the table’s history. Her presence amplifies the emotional stakes of the final acts.

Aunt Lan appears as the elder relative in the 1999 storyline, connected to the family’s past and the dressing table’s legacy. Her disappearance and the surrounding mystery contribute to the segment’s overall sense of dread and tragedy. She embodies the generational weight that the mirror’s stories carry forward.

The murdered courtesan from the 16th‑century segment, her death sets the mirror’s haunting legacy in motion. Her blood on the mirror marks the first link in the chain of retribution and secrets that echo through the subsequent eras. She is the earliest embodiment of the mirror’s power to bind fates.

A woman whose experience is centered around the 1988 case that James confronts in court. Her tragedy intersects with the mirror’s influence on justice, where greed and appearances complicate truth. Her presence foreshadows the darker side of the table’s legacy.

The boyfriend in the 1988 case who becomes a focal point of the murder scenario James faces in court. His fate and the case’s outcome illustrate how the mirror’s history permeates modern-day consequences. His role is pivotal to the narrative of vengeance and accountability.