The Fog

In the sleepy fishing village of Antonio Bay, the streets are buzzing with preparations for a once‑in‑a‑century celebration. The town’s centennial, slated for a crisp April day, promises fireworks, music, and a collective sigh of pride after years of quiet routine. Yet as the harbor mist begins to thicken, an unfamiliar fog rolls in from the sea, its pallid glow turning the familiar coastline into something eerily otherworldly. The atmosphere shifts from festive anticipation to a subtle, lingering unease, as the fog seems to carry its own whispering intent.

The heart of the story follows a handful of locals caught in the unfolding mystery. Kathy Williams spearheads the festivities, juggling community expectations with a growing sense that something is amiss. Father Malone, the town’s priest, feels compelled to dig into the hidden chapters of Antonio Bay’s past, drawn by an instinct that the fog is linked to secrets long buried. Meanwhile, Nick, a drifter passing through, and the enigmatic hitchhiker Elizabeth find themselves stranded amid the supernatural haze, their journey intersecting with that of Stevie, the charismatic radio DJ who uses the airwaves to keep the town connected—and, perhaps, to warn them. Together, they form an unlikely coalition of curiosity, faith, and resolve.

The film’s tone balances sun‑drenched seaside charm with a slow‑building dread. Everyday objects—chairs, radios, even the tide‑worn lighthouse—appear to take on a life of their own under the fog’s influence, hinting at forces beyond ordinary perception. Shadows stretch longer, whispers echo on the wind, and the townspeople’s familiar routines become tinged with uncertainty. The story invites viewers to wonder what lies beneath the surface of a community that prides itself on history, while the creeping mist promises that the past may yet reach out from the fog to claim its due.

Last Updated: August 10, 2025 at 14:13