The Call

In a quiet rural town, a desperate call to emergency services becomes the unlikely bridge between two women living in different eras. Kim Seo‑yeon, a 28‑year‑old woman struggling with a fragmented family life in 2019, finds herself trapped within the walls of her own childhood home after losing her phone. While searching for a way out, she discovers an old cordless handset that inexplicably connects her to a voice from the past. Across twenty years, Oh Young‑sook is a frightened teenager clinging to the only lifeline she knows in 1999, pleading for help against forces she cannot fully comprehend.

The film unfolds in a dual‑timeline setting that blends the cracked plaster of an aging farmhouse with the muted hum of modern life, creating a world where time feels both fluid and oppressive. The atmosphere is thick with dread and longing, as each woman confronts her own isolation while hearing the other’s whispered fears. Their conversations become a whispered echo that blurs the line between memory and present, turning the ordinary act of picking up a phone into a tense, almost ritualistic exchange.

Both protagonists carry the weight of personal loss and familial uncertainty, yet their personalities contrast in subtle ways: Seo‑yeon is pragmatic, driven by a need to protect what little remains of her broken family, while Young‑sook is raw, haunted by a childhood that feels both familiar and alien. Their connection forces each to confront lingering grief and the unsettling possibility that the past can be altered—or at least understood—through a shared, trembling line of static.

As the story builds, the tone remains relentless in its pursuit of suspense, layering quiet domestic moments with an undercurrent of supernatural unease. The audience is left to wonder whether this fragile telephone link can untangle the knots of trauma that bind the two women, or if the echo of their voices will only deepen the haunting mystery that pulses through the house and the years that separate them.

Last Updated: August 10, 2025 at 01:08