Predator: Killer of Killers

At the end of Predator: Killer of Killers, viewers see a series of cryo pods containing warriors from different eras, creating a shocking and intriguing reveal. Among them is Naru, the protagonist from Prey, who appears to have been preserved across time, hinting at a future connection in the franchise. The filmmakers clarify that these cryo pods are not a form of time travel but are used to capture warriors from their respective periods and put them into stasis until they are unleashed for combat, emphasizing that they are plucked from time, not transported through it. The ending suggests that these warriors could be reanimated at moments chosen by the franchise’s mysterious forces, creating the potential for new stories and crossovers.

The film also features redesigned Predator variants that match the different historical settings, carefully crafted so they don’t appear as costume dress-up but instead are culturally appropriate foes for each story. These variants, symbols of the diverse challenges faced by the characters, reinforce the idea that the Predator universe is expansive and filled with rich lore. Director Dan Trachtenberg hints that this project is part of a larger effort to build out the Predator mythos, including upcoming projects like Predator: Badlands.

While there’s interest in bringing this animated anthology to theaters, there are complex rights issues that complicate such a plan. Trachtenberg also suggests that the franchise could explore innovative crossovers between animation and live-action, depending on audience response. Ultimately, the ending leaves viewers pondering the idea that the Predator universe is larger and more interconnected than ever, with these cryo-preserved warriors potentially leading to future surprises and unexpected storylines. The filmmakers aimed to surprise fans with these epic, interconnected tales, setting the stage for more exciting developments in the franchise.

Last Updated: June 25, 2025 at 09:04