Phileine Kim van Kooten and her actor boyfriend Michiel Huisman Max head to New York City so he can hone his craft. In a twist, Max’s journey is private to him, because Phileine also travels to the city without Max knowing.
On the plane, she meets an American couple, Fabian and Lena, who offer to lead her to Max’s doorstep. Inside Max’s house, Phileine is introduced to his circle: the bespectacled Jules, the sick Leonard, the Flemish Gulpje, the terrible Joanne, and weatherman LT, Kenan Raven. That same evening, a welcome party is held, but the flood of new impressions, drinks, and fatigue prompts Phileine to retire early.
The morning after, she discovers a note from Max saying he had to leave early for rehearsal, but they will have dinner later that evening. Phileine wanders the living room and reconnects with [Gulpje], and soon they decide to be best friends and share a lunch. During that tour, Fabian becomes a bit too personal, and Phileine gently reminds him that he has a wife.
Max cannot make it to dinner because of a rehearsal, and Phileine ends up spending the night with Max’s friends. Together with [Gulpje], she helps stir the group up, playing with humor and sharp lines at the expense of others.
On day two, Phileine attends the premiere of Romeo and Juliet. The production pushes boundaries by portraying sexuality on stage, including nudity and explicit scenes. A portion of the audience is shocked and leaves after the break, while Phileine remains seated through the entire performance.
At the after-party, she seeks explanations from Max and the director Reginald, but neither offers clear answers. A quarrel with Max leads to a later confrontation in a pub where tensions simmer but don’t fully resolve.
The following day, Phileine and Gulpje visit the restaurant where a scene from When Harry Met Sally was filmed. They catch the attention of two men who invite them to sit with them, hoping to impress with their tricks. The display starts off playful, with panting and moaning, but quickly turns embarrassing as Phileine and Gulpje raise the volume and the room’s mood shifts.
Later, the two women encounter Jules and discuss sexual harassment from men. After an insulting remark from Phileine, Jules exits, and she discovers that Jules is not female but male.
Phileine then goes to meet LT, the boyfriend of the “terrible” Joanne, aboard his boat. They have sex in what she calls revenge for the backstage escapade between Joanna and Max.
The next day, the couple attends the last performance of the show. From the theater’s back row, they witness Max about to penetrate Joanne on stage. Phileine refuses to let it happen and disrupts the production. Max defends his actions as art, but Phileine rejects this justification and wins the audience’s sympathy.
The newspapers explode with the fallout, and Phileine is invited to several TV programs. She even appears on a late-night talk show, where she seizes control of the moment and wins the crowd’s support. She is offered money to stay in a hotel for the night.
The next morning, Max comes to her door, determined to take her to an AIDS Gala hosted by his friend Leonard. She resists, and he carries her into a taxi instead. The atmosphere at the Gala is tense and hostile toward Phileine, with the exception of Gulpje’s quiet support. Even Max is furious when he learns she slept with LT.
Finally, Phileine takes the stage and delivers a heartfelt apology to everyone she has treated poorly, saying what she has long refused to say. Her closing line lands with quiet force: > Sorry that I exist. <
