Phileine Says Sorry

Phileine is a provocative, impulsive force who disrupts Max's world and unsettles his circle. Her quick wit and blunt honesty push others to confront boundaries around sex, art, and loyalty. Her arc centers on finding a balance between assertiveness and empathy.

Max is an actor whose career and romance with Phileine drive the plot. He navigates artistic ambition and romantic entanglements, testing boundaries with colleagues both on and off stage. His choices trigger Phileine's backlash and the ensuing public drama.

Gulpje is playful, provocative, and applies humor to poke at pretensions within the group. She forms a close, cheeky bond with Phileine and helps push the ensemble toward bold, reckless decisions. Her presence lightens some moments while fueling others.

Jules is the bespectacled, perceptive friend whose calm exterior masks deeper tensions within the group. He becomes entwined in the social web surrounding Max and Phileine, contributing to the mix of humor and harm.

Reginald is the director figure in the drama, embodying the theater world’s ego and authority. His responses to Phileine's interruptions illuminate the conflict between artistic control and audience reaction.

Joanne is a performer linked to Max's on-stage affair; her presence tests loyalties within the group. She embodies the theater world’s allure and the complications of flirtation and rivalry.

LT is the weathered partner of Joanne, who becomes involved in the pair’s complicated dynamics. He contributes to the web of sexual and social tensions that drive much of the plot.

Lotti is a motherly presence who observes the chaos around Phileine and Max. She offers grounding perspectives amid the group’s turbulent dynamics.

Dylan is part of the circle surrounding Max, Phileine, and their friends. His interactions reflect the group’s entangled relationships and social pressures.

Christiaan appears as a member of the group, adding another layer to the social dynamic and occasional comic relief.

Fleur is part of the circle; her interactions contribute to the ensemble’s texture and the evolving social tensions.

Lala is another member of the group whose presence adds to the film’s character web and the crowd’s dynamics.

Ugly Boy is a cameo that punctuates the social satire of the group, contributing to the film’s caricatured atmosphere.

Taxichauffeur 2 appears in key transport moments, reflecting the film’s urban, mobile setting and quick, shared interactions.