Mirrors

In a bustling New Orleans department store, the gleam of polished surfaces masks an unsettling undercurrent. The building’s countless mirrors, meant to showcase the latest fashions, become silent witnesses to something far more intimate—a reflection of inner turmoil that refuses to stay confined to the glass. The atmosphere is heavy with a brooding sense of dread, where everyday commerce collides with the uncanny, and the line between what is seen and what is felt begins to blur.

Max Matheson arrives haunted by a recent car accident that claimed his fiancée’s life, leaving him steeped in guilt and a lingering sense of dislocation. Though therapy has nudged him forward, his world still feels fractured, as if reality itself has cracked along the seams of his psyche. Seeking purpose and a way to stay close to his estranged father, Max accepts a position that promises routine but promises little solace.

At the Mayflower Department Store, Max steps into a role as a security guard, navigating a new hierarchy that includes his father Jack, the composed store manager Keller Landreaux, the ambitious buyer Jenna McCarty, and the poised vice‑president Ryan Parker. Their interactions are tinged with the ordinary pressures of retail life, yet an undercurrent of tension runs through the corridors, amplified each time Max catches a flicker of something off in the reflective surfaces that line the premises.

Those fleeting anomalies soon become impossible to ignore. The mirrors seem to echo Max’s own insecurities, projecting whispers of unseen forces that test his resolve. As the ordinary routine of stocking shelves and monitoring cameras gives way to a subtle, growing unease, Max is drawn deeper into a mystery that hinges on the very nature of perception—prompting him to question whether the true danger lies in the world outside the glass, or within the reflections staring back at him.

Last Updated: September 17, 2025 at 13:56