Men

In the quiet folds of the English countryside, Harper Marlowe retreats to the sleepy village of Cotson after a personal tragedy, hoping the rolling hills and stone‑cobbled lanes will soothe her weary spirit. The cottage she rents sits on the edge of an ancient wood, a place where the rustle of leaves seems to carry whispers from a time long forgotten. The film embraces a slow‑burning atmosphere, letting the landscape itself become a character—mist‑laden fields, weathered farmhouses, and the low hum of distant church bells all contribute to a feeling that something just beyond sight is watching.

The village community is a blend of warmth and eccentricity. The house’s owner, Geoffrey, greets Harper with a mix of genial hospitality and off‑beat charm, offering tours of the property that hint at the layered history of the area. Through quiet conversations with a supportive friend, Riley, and brief encounters with locals, Harper begins to sense a subtle undercurrent that runs through the town’s folklore: carvings of the Green Man, weathered stone figures, and the lingering echo of old legends that speak of nature’s darker side. These elements weave together, suggesting that the serene setting may be built upon deeper, more unsettling roots.

As night falls, the surrounding wood seems to close in, and an unsettling presence begins to emerge from its shadows. The film’s tone shifts from gentle melancholy to a creeping dread, with light and sound playing tricks on perception and the boundaries between reality and imagination beginning to blur. Harper’s journey becomes one of confronting buried fears, questioning the reliability of her own senses, and navigating a reality that feels both familiar and eerily distorted. The result is a richly atmospheric, psychological horror that lingers long after the credits roll, inviting viewers to wonder what lies just beyond the edge of the forest’s canopy.

Last Updated: August 10, 2025 at 00:12