Mandrake

In a wind‑swept countryside where old superstitions linger like mist over the fields, a quiet tension hums beneath everyday life. The world of Mandrake feels both grounded and uncanny, a place where the ordinary routine of a probation office collides with the whispered folklore of witchcraft and forgotten curses. Shadows stretch long over Mary’s farm, and the landscape itself seems to echo with the promise of secrets waiting to be unearthed.

​Cathy Madden steps into this uneasy setting as a seasoned probation officer, tasked with one of the system’s most challenging assignments. A single mother sharing custody of her son Luke, she carries the weight of personal loss and a professional dedication to redemption. Her pragmatic outlook is tempered by a lingering, personal grief that makes every case feel like a mirror reflecting her own unresolved past. As she navigates the bureaucracy of her job, Cathy’s quiet determination is matched by a simmering curiosity about the people she is meant to help.

Assigned to supervise Mary Laidlaw, a woman whose nickname “Bloody Mary” has become the stuff of local legend, Cathy finds herself drawn into a world where reputation and reality blur. Mary’s history is hinted at through hushed conversations and unsettling symbols that suggest a link to ancient rites and the mythic mandrake plant. The atmosphere around her is thick with the sense that something ancient and potent lies just beneath the surface, waiting to be coaxed into the light—or darkness.

When two children vanish near the farm, the fragile balance Cathy has tried to maintain begins to crack. The disappearances raise unsettling questions about the limits of forgiveness and the hidden darkness that can reside in anyone, even those desperate for a second chance. The film settles into a mood of lingering uncertainty, inviting the audience to wonder whether redemption is truly possible when the past refuses to stay buried and the line between good and evil becomes ever more ambiguous.

Last Updated: August 09, 2025 at 21:07