I Am My Own Woman

In a Berlin split by war, division, and the relentless push of history, the film weaves together archival footage and lyrical reenactments to create a portrait that feels both intimate and sweeping. The city itself becomes a living museum, its ruined streets and hidden corners echoing with the whispers of those who refused to disappear. Light and shadow play across scenes, capturing the stubborn beauty of a place that has survived oppression, reconstruction, and the quiet moments of everyday resistance.

At the heart of this tapestry is Charlotte von Mahlsdorf, a trans woman whose life stretches from the darkest days of the Nazi regime to the hopeful uncertainty of a reunified Germany. As both subject and storyteller, she guides the audience through memories that are at once personal and universal, offering a voice that transcends the eras she has lived through. Younger and middle‑aged versions of her appear in dramatized vignettes, while the real Charlotte, observed in her later years, narrates with a calm, wry confidence that hints at both hardship and triumph.

Beyond her own journey, Charlotte cultivates a sanctuary for marginalized histories, curating a museum that celebrates the quirks and artifacts of a bygone gay subculture. Within its walls, objects and recollections mingle, illustrating how ordinary people can fashion spaces of belonging amidst political turbulence. Her relationships with figures like Herbert von Zitzenau and Jochen—portrayed with tenderness and complexity—underscore a community bound by love, resilience, and a shared desire to live authentically.

The film’s tone balances documentary rigor with poetic imagination, inviting viewers to linger on the textures of memory and the quiet strength of a life lived openly. It asks what it means to claim one’s identity in a world that constantly seeks to define it, and it celebrates the quiet revolutions that arise when individuals refuse to be erased.

Last Updated: November 29, 2025 at 04:41