Housebound

In the quiet outskirts of a modest New Zealand town, Kylie Bucknell finds her world narrowed to a single address after a court‑ordered sentence of house arrest. Returning to the home of her youth, she is immediately caught between the familiar comforts of childhood rooms and the oppressive weight of being watched. The house itself feels alive, its corridors echoing with faint whispers and unexplained noises that seem to stir the old superstitions that have long haunted the community.

Living under the vigilant eye of her mother, Miriam, who is convinced the house is haunted, Kylie must also navigate a strained relationship with her step‑father, Graeme, and the presence of Amos, a security contractor tasked with monitoring the ankle‑brace that binds her to the property. Their interactions crackle with tension: Miriam’s eccentric beliefs clash with Kylie’s pragmatic skepticism, while Graeme’s quiet demeanor adds a layer of unspoken history to the household. Amos moves through the rooms like a reluctant guardian, his role blurring the line between protector and intruder, heightening the sense of confinement that pervades daily life.

The film balances a claustrophobic domestic setting with an undercurrent of supernatural dread, inviting the audience to wonder whether the unsettling sounds are the work of restless spirits or simply the product of a house steeped in collective anxiety. The town’s peculiar atmosphere, marked by whispered legends and a palpable sense of isolation, amplifies the psychological tug‑of‑war between belief and doubt. As Kylie grapples with the possibility that her mother’s imagination might be shaping her reality, a slow‑burning tension builds, promising a journey that explores family bonds, personal freedom, and the thin veil that separates the ordinary from the uncanny.

Last Updated: October 07, 2025 at 13:25