Hallam Foe

In the mist‑laden hills outside Peebles, a sprawling family estate shelters a teenage loner whose world is framed by a tree‑house perch and a relentless habit of watching strangers. Hallam spends his days turning ordinary moments into a private theater, a habit that both steadies and unsettles him as he grapples with the loss of his mother and a lingering suspicion that her death was no accident. The estate itself feels like a quiet cage, its rooms echoing with the expectations of his father, Julius, and the looming presence of his stepmother, Verity, whose relationship to the tragedy is a silent source of tension. With his sister, Lucy, moving away to university, Hallam’s isolation deepens, prompting him to seek an escape from the suffocating quiet of the countryside.

Kate becomes the focus of Hallam’s wandering curiosity after he slips into the bustling rhythm of Edinburgh and finds work at a grand hotel. From a hidden niche in the clock tower he watches her life unfold, the city’s rooftops and narrow alleys mirroring his own desire to glimpse something genuine beyond observation. The hotel’s corridors pulse with whispers of affairs and unspoken yearning, hinting at a complicated dance between observation and involvement. A senior employee, Alasdair, looms in the background, his own secrets intersecting with Hallam’s, adding layers of intrigue to the fragile connections forming in the shadows of the hotel’s opulent façade.

The film moves with a quiet, brooding lyricism, its tone a blend of unsettling intimacy and wistful longing. It paints a portrait of a young man teetering between voyeurism and the hope for authentic contact, set against the stark beauty of the Scottish countryside and the atmospheric streets of Edinburgh. As Hallam navigates his inner anxieties and odd cravings, the mood remains charged with anticipation, inviting the audience to wonder how far a mind accustomed to watching can ever step into the world it has been secretly curating.

Last Updated: October 14, 2025 at 03:46