Daisy

In the quiet canals of Amsterdam, a solitary painter makes her living sketching strangers who pause by her easel, capturing fleeting moments of strangers’ lives in delicate lines. Hye‑young moves between the bustling market and the tranquil waterway, her world a blend of color, solitude, and the soft rustle of breezes that carry an unexpected gift each afternoon: a single daisy left on her workbench, its source unknown.

Across the same city, a man of precise habit and shadowed skill watches from a distance. Park Yi is a professional whose life is defined by contracts and quiet efficiency, yet he finds himself drawn into a fragile curiosity when he notices the painter’s routine. The simple act of leaving a flower becomes a silent bridge between two worlds that would otherwise never intersect, hinting at a tenderness hidden beneath his hardened exterior.

Meanwhile, an Interpol detective arrives on the scene, following a trail that leads him to the same waterside portrait stand. Jeong Woo carries the weight of a demanding investigation, his presence a subtle blend of authority and intrigue. His interactions with the artist are marked by professional focus, but the recurring daisies begin to stir a quieter, more personal contemplation, blurring the line between duty and desire.

The film balances the romance of a city famed for its canals with a tense undercurrent of unseen conflicts, weaving together the lives of a creator, a killer, and a cop. As each character navigates the delicate dance of attraction, secrecy, and responsibility, the simple elegance of a single flower becomes the quiet catalyst for a story that hovers between beauty and danger, inviting the audience to wonder how far one will go for a glimpse of connection amid the shadows.

Last Updated: October 14, 2025 at 03:50