Come to Daddy

In the sun‑splashed suburb of Beverly Hills, Norval Greenwood lives a life of comfortable excess as a successful musician, surrounded by the trappings of wealth and the quiet expectations of his mother. One day a cryptic letter arrives, bearing an invitation from a man he has never truly known—his estranged father. The promise of a remote coastal retreat on the Oregon shoreline ignites a yearning for connection that Norval has long suppressed, pulling him away from his familiar world and into the unknown.

The cabin that awaits him sits perched against a jagged coastline, where the crashing surf and wind‑swept pines create a stark contrast to the polished cityscape he left behind. The house itself feels alive with history, its weathered walls echoing whispers of lives once lived there. The isolation is both a balm and a source of unease, hinting at stories that have been buried beneath the salt‑tanged air and the quiet rhythm of the tides.

When Norval finally steps inside, he is greeted by Brian, a man whose warmth initially seems to bridge the decades of absence. Yet beneath the surface lies a complicated dynamic, a mixture of paternal longing and unspoken tension. As father and son begin to navigate their fragile reunion, the lingering presence of past choices and hidden truths begins to surface, casting shadows over their tentative bond. Norval’s mother, ever a silent influence, lingers in his thoughts, adding another layer to the family tapestry he is only now beginning to untangle.

The film folds these elements together into a low‑key, atmospheric thriller that balances the stark beauty of its setting with an undercurrent of dread. It invites viewers to feel the weight of inherited secrets and the uneasy desire to uncover them, while Norval walks a fine line between curiosity and apprehension. In this remote haven, the search for identity becomes a reckoning, promising that the answers he seeks may reshape everything he believes about his lineage and himself.

Last Updated: August 10, 2025 at 01:25