Year: 1942
Runtime: 89 mins
Language: English
Director: Harold S. Bucquet
When a troubled young man goes on a killing spree and then vanishes, Dr. Gillespie—friend of Dr. Kildare—is summoned to unravel the mystery known as the Trainwhistle Murderer case. He works to locate the fugitive and bring the violent episode to an end.
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Finishing school student Marcia Bradburn, Donna Reed, brings good news to her boyfriend Roy Todwell, [Phil Brown], as her father approves their engagement. Yet when she refuses to elope immediately, Roy’s temper flares in a shocking act: he grabs a flagstone and cruelly kills his dog, then drives off into the night.
Emma Hope, [Mary Nash], the head of the school, calls in her longtime friend Dr. Gillespie, [Lionel Barrymore], who then brings in Dr. John Hunter Gerniede, [Philip Dorn], a surgeon who has long pursued the idea of becoming a psychoanalyst. Gerniede conducts a covert examination of Roy without Roy’s knowledge and reaches a stark diagnosis: dementia praecox. The doctors urge treatment in a mental institution, but Roy’s parents place their faith in the family physician, Dr. Ward O. Kenwood, [Charles Dingle], who insists their son is simply overworked at college and needs rest. Kenwood remains steadfast even after Roy suddenly erupts again, tearing apart a toy store display during an outing with Marcia, and locking Roy away for the night out of caution.
Roy escapes through a window, and, convinced Gillespie is his enemy, starts sending threatening postcards from various cities. In one stop, Roy purchases a car and, when it is delivered, murders the entire sales team involved in the purchase. When Marcia later glimpses Roy on school grounds, Gillespie is placed under police protection, but the hospital is vast and difficult to secure. Roy slips in undetected, kills Kenwood’s assistant, and masquerades as him, triggering a tense cat-and-mouse chase through the institution. As Roy reaches out to Marcia, she manages to calm him enough to get him to come in, and, for a moment, seems to have coaxed him back toward a sane interpretation of his life.
Back in Gillespie’s office, Roy, in a still moment of supposed clarity, pulls a hidden gun from Gillespie’s desk and declares that he must kill the doctor to be cured. The plan backfires when a hospital attendant—Nat Pendleton—emerges from the next room and, with a swift wrench, knocks the weapon from Roy’s grasp, ending the immediate danger. Roy is soon sentenced to the penitentiary, and in a closing scene, Gillespie visits Marcia only to find that she has a new partner, a soldier, suggesting life goes on beyond the crisis.
Last Updated: October 09, 2025 at 12:38
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A tense cat-and-mouse chase to stop a psychologically unstable killer.If you enjoyed the tense chase in Calling Dr. Gillespie, you'll like these movies about hunting a fugitive. They feature similar high-intensity plots, psychological instability, and a steady, suspenseful pacing that keeps you on edge until the final confrontation.
The narrative follows a linear, investigative structure. A violent act triggers a manhunt, pitting a determined protagonist against an elusive and psychologically complex antagonist. The story builds steadily towards an inevitable, often violent, confrontation with a morally complex or bittersweet resolution.
Movies are grouped here for their shared focus on the cat-and-mouse dynamic between hunter and hunted, a high-intensity and tense mood, and themes of criminal psychology. They deliver a consistent experience of suspense and intellectual challenge.
Stories where stopping the threat leaves a heavy emotional toll.Fans of the heavy emotional weight and bittersweet ending in Calling Dr. Gillespie will appreciate these similar movies. They are tense thrillers or dramas where the resolution is psychologically complex and emotionally resonant, leaving a lasting impact.
The plot builds through rising tension and explores disturbing themes, leading to a climax that neutralizes a threat. However, the conclusion is marked by sacrifice, the loss of relationships, or the tragic fate of characters, resulting in a resolution that feels more sobering than triumphant.
This thread groups movies that share a specific emotional arc: a high-stakes, tense story culminating in a bittersweet or melancholic ending. The focus is on the heavy emotional residue and the complex aftermath of the central conflict.
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