Babruvahana

Arjuna goes into exile as a form of atonement after breaching the privacy of Yudhishtira and Draupadi. Filled with remorse, he decides to leave his brothers to govern Indraprasta and embarks on a period of exile, which sets the stage for his adventures in Manipura and Nagaloka.

Earlier, the breach of privacy is presented as a serious transgression that requires external purification.

Babruvahana is the son of Arjuna and Chitrangada, born during Arjuna's exile in Manipura. He grows up to become the ruler of Manipura and surpasses his father in archery. Arjuna is unaware of his existence because Krishna wiped Arjuna's memory of Chitrangada after their marriage.

Krishna's memory wipe sets up the dramatic unaware confrontation between father and son.

The Ashwamedha Yaga is a Vedic horse sacrifice ritual performed by ancient Indian kings to claim sovereignty over neighboring kingdoms. After winning the Mahabharata war, the Pandavas organize this ritual with Arjuna leading the campaign across the subcontinent. When the Ashwamedha horse enters Manipura, Babruvahana faces the choice of accepting Pandava overlordship or defeating Arjuna in battle.

A scorned queen invokes Ganga's curse on Arjuna as revenge for killing Bhishma's son during the war. Ganga curses Arjuna that he will die at the hands of his own son, a prophecy that becomes central to the confrontation in Manipura.

The curse establishes the fatalistic framework that drives the father-son conflict.

Babruvahana faces a moral dilemma: as the ruler of Manipura, he must either accept Pandava overlordship or defend his kingdom through combat. Chitrangada urges him to exploit Arjuna's brief devotion to him, recalling Arjuna's own clash with Karna, while Uluchi advises that battlefield duty permits no parental feelings. He must protect his mother's honor to preserve his character, creating the film's central conflict between duty and family.

On the battlefield's third day in Manipura, Arjuna and Babruvahana meet face to face with Chitrangada acting as Arjuna's charioteer and Uluchi serving as Babruvahana's. Babruvahana mortally wounds Arjuna, fulfilling Ganga's prophecy that he would die at the hands of his own son. The Ashwamedha ends with Arjuna's death and sorrowful cries from Chitrangada.

After Arjuna's death, Takshak (a Naga) decapitates Arjuna's corpse and takes his head to Nagaloka. Krishna uses his Sudharshan Chakra to defeat Takshak's henchmen and retrieves the severed head. Using the Sanjeevani-mani (a magical jewel) from Nagaloka, Arjuna is revived. Krishna then revives all fallen soldiers, and Arjuna reconciles with Chitrangada while acknowledging Babruvahana as his son.

Chitrangada is the princess of Manipura whom Arjuna marries during his exile, and they have a son named Babruvahana. Uluchi is the princess of Nagaloka (Naga kingdom) who abducts and marries Arjuna while he is bathing in a river. Both women serve as charioteers during the father-son battle - Chitrangada for Arjuna and Uluchi for Babruvahana - highlighting the complex web of Arjuna's relationships.

Krishna, aided by Ghatotkacha, erases Arjuna's memory of both Chitrangada and Uluchi to set him back on his path toward marrying Subhadra, which was part of Krishna's broader plan for the Pandavas. This memory wipe is why Arjuna is unaware of Babruvahana's existence when he arrives in Manipura during the Ashwamedha campaign.

Like Arjuna at the start of the Kurukshetra war, Babruvahana must confront whether he can strike his own parents. He must choose between protecting his kingdom and mother's honor through battle, or yielding to his father. The film portrays this conflict with striking intensity, exploring Mahabharata themes of duty versus filial righteousness.