Psycho

In the cold, precise world of Moscow’s high‑end psychotherapy scene, Oleg has become a nearly mythic figure. At forty, he projects the calm confidence of a self‑sufficient family man, a reputation carefully cultivated for the benefit of his affluent clientele. Behind that polished exterior lies a restless mind haunted by unchecked passions, a contrast that fuels a tense, atmospheric undercurrent throughout the film. The city itself feels like a character—its stark architecture and relentless rhythm echo the dissonance between public appearance and private turmoil.

The story opens with a simple yet daunting premise: securing a session with Oleg is nearly impossible. Prospective patients must navigate a maze of gatekeepers, referrals, and unspoken protocols, underscoring the therapist’s elite status and the desperation of those seeking his insight. As the narrative unfolds, the audience is drawn into a delicate dance of power and vulnerability, watching how Oleg balances his professional facade with the simmering unrest that threatens to surface at any moment.

Complicating matters further is the lingering mystery of Oleg’s wife, who vanished just over a year ago. Her absence casts a long, unsettling shadow over his life, turning personal grief into a silent, pervasive pressure that seeps into his practice. The juxtaposition of his outward composure against an inner void creates a compelling psychological tension, inviting viewers to question how much of a therapist’s own psyche can remain untethered in the face of unresolved loss.

Through meticulous mise‑en‑scene and a brooding score, the film immerses the audience in a world where every glance, every pause, and every whispered confession carries weight. It’s a study of the delicate balance between control and chaos, a portrait of a man whose expertise in guiding others may be the very thing that blinds him to his own unraveling.

Last Updated: December 05, 2025 at 10:24