As Good as Dead

In the relentless pulse of New York City, Ethan Belfridge tries to stitch together a fragile peace. A photojournalist by trade, he spends his days capturing moments while his nights are haunted by a marriage that has been put on pause. The modest apartment he shares with his wife and young daughter feels both a sanctuary and a reminder of the life he is trying to rebuild, a quiet stage set against the city’s ever‑watchful skyline.

The ordinary rhythm shatters the moment three strangers force their way into his home, turning a single afternoon into a desperate struggle for survival. Their purpose is unmistakable: they are hunting for retribution tied to a controversial right‑wing cult leader whose unsolved murder has ignited a volatile undercurrent beneath the city. The invasion is brutal and immediate, thrusting Ethan into a claustrophobic cat‑and‑mouse game where every shadow could conceal another threat.

As the walls of his apartment become a pressure cooker, Ethan is forced to balance instinctual self‑preservation with a growing need to understand the forces converging on him. The tension is amplified by the constant proximity of his family, whose safety hangs precariously in the balance. The film dwells on the psychological tightrope between fear and determination, letting the audience feel the oppressive atmosphere of a space turned battlefield.

The tone is unflinching, pairing stark urban realism with a pulse‑quickening thriller edge. Shadows flicker, whispers echo, and the line between victim and suspect blurs, inviting viewers to question how far a person will go when cornered by unknown motives. In this tightly wound setting, every breath and every decision could tip the scales between life and loss.

Last Updated: November 25, 2025 at 14:56