Article 20

In the bustling corridors of a city prosecutor’s office, Han Ming finds himself thrust into a temporary role that quickly becomes a crucible of moral and professional conflict. Charged with navigating a series of contentious cases where the line between aggression and lawful self‑defense blurs, he must grapple with the weight of Article 20 of the Chinese criminal code—a statute that could redraw the boundaries of culpability for those who act to protect themselves. The atmosphere is thick with the tension of a legal system striving for fairness while being pulled by the raw impulses of those it judges.

Outside the courtroom, Lu Lingling reappears as an old college flame and a trusted colleague, their lingering rapport adding an undercurrent of personal ambiguity to an already strained workplace. Their frequent conversations and shared commutes hint at a partnership that, while supportive, threatens to sow doubt in the eyes of Li Maojuan, Han’s wife, who watches the growing closeness with a mixture of suspicion and hurt. The domestic sphere, therefore, mirrors the professional turmoil: a family stretched thin by the demands of a demanding career, a son caught in his own adolescent battles, and a marriage tested by the relentless pursuit of justice.

Against the backdrop of a city where everyday interactions can erupt into legal quagmires, the film paints a portrait of a man caught between duty and desire, law and emotion. Han Ming is propelled to reconcile his role as a guardian of the law with his responsibility to the people he loves, all while the stakes of each case echo louder than the next courtroom argument. The tone remains taut and introspective, inviting viewers to contemplate how far one will go to uphold fairness when personal convictions and societal expectations collide.

Last Updated: December 03, 2025 at 23:31