Ahalya

The stone grants whoever holds it and concentrates the power to physically transform into any person they wish to become. When Indra grips the stone and imagines himself as Goutam Sadhu, his outward appearance changes to match the artist, though his reflection reveals the altered identity. However, the transformation is a trap, those who use the stone become permanently trapped as dolls on the artist's mantle.

Goutam warns that the stone has magical qualities and suggests Arjun may have used it, hinting at the danger ahead.

Arjun Roy presumably used the stone and became trapped as a doll, just as Indra does at the end. The doll on the mantle that bears a striking resemblance to Arjun is likely his physical form, confirming he fell into the same trap. His disappearance was not a kidnapping but a consequence of experimenting with the magical artifact.

Goutam tells Indra that Arjun knew about the stone and may have used it, directly foreshadowing Arjun's fate.

When Indra transforms into Goutam's appearance using the stone, Ahalya naturally interacts with him as if he were her actual husband. She does not realize the transformation is occurring, she simply sees someone who looks like Goutam. Her request to 'remove the police officer' reveals she is unaware that the real Goutam is present elsewhere in the room while an impostor has taken his form.

Each doll on the mantle represents a previous victim who used the stone and became trapped. They form a collection of people who attempted to transform into someone else, perhaps people who wanted to escape their lives, replace others, or satisfy their desires. The dolls are the physical remnants of those who fell for the stone's deadly lure, frozen in expressions of fear and longing.

Indra notices one doll bears an uncanny resemblance to Arjun, suggesting the dolls are not decorative but memorial.

Indra falls victim to the stone's curse precisely because he used it to become Goutam. The magical transformation is not a temporary ability but a permanent imprisonment, those who use the stone to assume another's identity become trapped in doll form. When he embraces Ahalya in Goutam's shape, he crosses into the magical trap, and the next time we see him, he is restrained within a new doll among the collection.

Goutam's warning about the stone's powers hints that using it carries severe consequences.

Ahalya appears to be an unwitting participant in the trap, possibly Goutam's partner in the scheme to lure curious individuals. Her flirtatious behavior with Indra and the mobile phone she leaves behind serve as distractions that draw the investigator deeper into the house and closer to the stone. She ultimately controls the doll collection, chastising the figure containing Indra, suggesting she maintains the deadly display.

Ahalya greets Indra with charm and flirtation, drawing him into the dangerous atmosphere of the house.

Indra's fate is sealed as a permanent prisoner within the doll collection. His desperate screams echo softly in the darkness inside the doll while the rest of the room remains unnervingly still. The stone's magic has consumed him, leaving him with no escape. He becomes another figure in Goutam's macabre gallery, joining Arjun and presumably others who similarly fell for the transformation trap.

The earlier scene shows the doll bearing resemblance to Arjun, foreshadowing Indra's identical fate.

The film reinterprets the ancient Ramayana story in a modern thriller setting. In the original myth, Ahalya was the wife of sage Gautam who was seduced by Lord Indra in the sage's form, a story of deception and transformation. The film inverts this by placing Ahalya as the wife of an artist named Goutam (echoing Gautam), while a police officer named Indra becomes trapped through magical transformation, mirroring the mythological deception.