Witching & Bitching

In the mist‑shrouded hills of Navarre, a restless band of gold thieves find themselves far from the bustling streets of Madrid and thrust into a world where ancient rites whisper through the woods. The remote village they stumble upon is dominated by a tight‑knit coven of witches, whose rituals pulse with a dark, primal energy that feels both timeless and unsettling. The atmosphere is a blend of gritty realism and folk‑horror, where the clang of stolen loot collides with the low, chanting hum of a gathering that promises something far more dangerous than any police pursuit.

Among the thieves, José leads with a hardened pragmatism, while his uneasy partner Antonio brings a sharper edge to the group’s dynamic. The presence of Sergio, José’s young son, adds an unexpected layer of vulnerability and moral tension to the otherwise cut‑throat crew. Trailing them are Silvia, a former flame whose ties to the past complicate loyalties, and Manuel, an unwitting driver whose quiet resilience becomes a subtle counterpoint to the chaos. Meanwhile, a pair of determined investigators, Pacheco and Calvo, shadow the fugitives, their pursuit adding a thin thread of law‑and‑order to the wild, untamed backdrop.

The witches themselves are led by the formidable Graciana, whose matriarchal presence radiates both menace and ancient authority, while her mother Maritxu embodies the deeper, more primal aspects of the coven’s rites. Within the circle, Eva and her brother Luismi hint at internal fractures and secret allegiances, suggesting that even among the ritualists, personal desires and conflicts simmer beneath the surface. The film balances a tense, almost claustrophobic mood with moments of dark humor, inviting the audience to wonder how these disparate worlds—criminal ambition, familial duty, and occult tradition—will intersect when the ancient ritual demands a sacrifice.

Last Updated: September 26, 2025 at 04:35