What Women Want

In the bustling heart of Chicago’s advertising world, sleek offices and glossy pitch decks hide a rhythm of ambition, competition, and the subtle sway of consumer desires. The city’s pulse blends corporate hustle with a cheeky, rom‑com sensibility, where brainstorming sessions crackle with wit and the line between clever copy and personal confession often blurs. It’s a place where success is measured in brand buzz, yet the real power lies in understanding the people behind the market.

Nicholas Marshall is the charismatic, fast‑talking executive who seems to have the world at his fingertips. A self‑styled ladies’ man with a sharp mind for selling to men, he navigates boardrooms with the same confidence he uses to charm any woman who crosses his path. At home, his teenage daughter Alex challenges his swagger, testing his patience and revealing a softer side he rarely shows. Meanwhile, the agency’s leadership, embodied by the pragmatic Dan Wanamaker, prepares for a seismic shift as a new talent joins the team.

A sudden, fateful accident—an electric hairdryer meets a bathtub—leaves Nicholas bewildered, but also gifted with an uncanny ability: he can hear the thoughts of the women around him. The comedic premise unfurls as he is thrust into a private chorus of opinions, anxieties, and desires that were previously hidden behind polite conversation. What was once a tidy, confident exterior is now bombarded with raw, unfiltered insight, forcing him to confront his own assumptions in real time.

The newfound telepathic window turns the office into a lively arena of discovery, especially with the arrival of the sharp‑witted creative Darcy Maguire, whose mind proves as inventive as her advertising concepts. As Nicholas learns to navigate this intimate soundtrack, the film teases a journey of humor, self‑reflection, and unlikely connections, promising that the path to truly hearing—and being heard—lies somewhere between clever copy and genuine empathy.

Last Updated: August 10, 2025 at 12:31