Welcome to Me

In a glittering slice of Los Angeles that feels both intimate and overwhelmingly theatrical, Alice Klieg — a spirited but volatile young woman navigating the fringes of mental health care — suddenly inherits a fortune that could rewrite her entire existence. The windfall offers a rare escape from the routine of disability checks and the quiet desperation of her daily life, and it awakens a fierce, unapologetic desire to be seen and heard on her own terms. Drawn to the larger‑than‑life aura of daytime talk‑show icons, she envisions a program that would let her broadcast unfiltered thoughts, raw emotions, and the chaotic humor that defines her reality.

Surrounding her are a handful of people who both anchor and challenge her newfound ambition. Dr. Moffat, her steady‑handed psychiatrist, offers caution and clinical perspective, while Gina Selway, her fiercely loyal best friend, provides the unwavering support that makes even the most impulsive ideas feel doable. The studio world introduces Gabe Ruskin, a charismatic producer whose curiosity is piqued by Alice’s unconventional pitch, and Rich Ruskin, the studio’s co‑owner whose pragmatic eye sees both profit and peril in the venture. Together they sketch a space where absurdity meets sincerity, a talk‑show set that feels less like a polished set piece and more like an extension of Alice’s own living room.

The tone of the film balances sharp, self‑deprecating humor with tender moments of vulnerability, reflecting the volatile inner landscape of a woman determined to claim agency over her narrative. The world feels simultaneously extravagant and intimate — a casino‑hotel backdrop that mirrors the glitter and gamble of Alice’s new life, and a television studio that becomes a stage for both performance and confession. As the premise unfolds, the audience is invited to wonder how far one can push the boundaries of self‑expression before the spotlight becomes a mirror reflecting both brilliance and fracture.

Last Updated: August 10, 2025 at 04:38