Venus in Fur

Thomas Novachek, the ambitious writer-director, is preparing for the opening of his new play in New York City. This intriguing production is a reinterpretation of Venus in Furs, a classic novel by Leopold von Sacher-Masoch, which is notable for giving rise to the concept of “masochism”. As the story unfolds, Thomas finds himself on the phone, venting his frustrations about the lackluster performances of the actresses auditioning for the pivotal role of Vanda von Dunayev.

Just when it seems like hope is lost, a new actress, Emmanuelle Seigner, bursts into the scene—introducing herself as Vanda Jordan. Initially, her boldness and lack of polish give Thomas pause, leading him to doubt her suitability for the role. However, her unfiltered personality and determination soon compel him to allow her to audition, with Thomas stepping into the shoes of Severin von Kushemski for the reading.

As the two engage in this riveting audition, the atmosphere outside crackles with energy from a storm, mirroring the intensity of their performance. Vanda demonstrates profound understanding of both the story and her character, delivering an outstanding audition that captivates Thomas. What transpires is a transformative experience: the dynamics shift, as Vanda takes charge, effectively reversing the balance of power between the actress and the director, echoing the complex themes of dominance and submission that are central to the original novel.

Last Updated: November 16, 2024 at 18:26