The Girlfriend

In the quiet, working‑class suburbs just south of Buenos Aires, the late‑1970s feel both ordinary and fraught. A military coup has tightened its grip on the city, casting a permanent hush over public life while shadows linger in every conversation. The atmosphere is dense with whispered fear, the hum of daily chores, and the ever‑present question of who might be watching. It is a world where personal ambitions clash with a regime that scrutinizes even the most private gestures.

Maria lives the rhythm of a household that revolves around her husband’s handyman work, three lively children, and the lingering ache of a son who vanished in the early days of the dictatorship. Her lifelong confidante, Raquel, has chased a dream of the stage, carving a name for herself in theatre while navigating the added weight of her Jewish heritage in an increasingly suspicious society. Their friendship, forged in childhood games and reinforced by adult hardships, is a steady current beneath the turbulence of the times, each woman offering the other a refuge from the pervasive uncertainty.

When the disappearance of Maria’s eldest son surfaces as an impossible question, the two women find themselves pulled into a quiet, determined search that reverberates through the neighborhood’s narrow streets and clandestine gatherings. The repression tightens around Raquel, whose artistic life and personal ties begin to attract unwanted attention, while Maria steps into a circle of mothers seeking truth and solidarity. The looming prospect of exile and the distant promise of democratic change hover on the horizon, giving the story a mood that is simultaneously intimate, tense, and hopeful, as two friends cling to one another while the country teeters on the edge of transformation.

Last Updated: December 03, 2025 at 23:49